Music—Psychoanalysis—Musicology

Nonfiction, Entertainment, Music
Cover of the book Music—Psychoanalysis—Musicology by , Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781317092643
Publisher: Taylor and Francis Publication: November 22, 2017
Imprint: Routledge Language: English
Author:
ISBN: 9781317092643
Publisher: Taylor and Francis
Publication: November 22, 2017
Imprint: Routledge
Language: English

There is a growing interest in what psychoanalytic theory brings to studying and researching music. Bringing together established scholars within the field, as well as emerging voices, this collection outlines and advances psychoanalytic approaches to our understanding of a range of musics—from the romantic and the modernist to the contemporary popular. Drawing on the work of Freud, Lacan, Jung, Žižek, Barthes, and others, it demonstrates the efficacy of psychoanalytic theories in fields such as music analysis, music and culture, and musical improvisation. It engages debates about both the methods through which music is understood and the situations in which it is experienced, including those of performance and listening. This collection is an invaluable resource for students, lecturers, researchers, and anyone else interested in the intersections between music, psychoanalysis, and musicology.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

There is a growing interest in what psychoanalytic theory brings to studying and researching music. Bringing together established scholars within the field, as well as emerging voices, this collection outlines and advances psychoanalytic approaches to our understanding of a range of musics—from the romantic and the modernist to the contemporary popular. Drawing on the work of Freud, Lacan, Jung, Žižek, Barthes, and others, it demonstrates the efficacy of psychoanalytic theories in fields such as music analysis, music and culture, and musical improvisation. It engages debates about both the methods through which music is understood and the situations in which it is experienced, including those of performance and listening. This collection is an invaluable resource for students, lecturers, researchers, and anyone else interested in the intersections between music, psychoanalysis, and musicology.

More books from Taylor and Francis

Cover of the book United Nations Reform by
Cover of the book Spatial Design Education by
Cover of the book The Handbook of Intergroup Communication by
Cover of the book Urban Regeneration Management by
Cover of the book Revolutionary Exiles by
Cover of the book Jahangir and the Jesuits by
Cover of the book Mobility, Education and Life Trajectories by
Cover of the book Art in the Primary School by
Cover of the book The Routledge Intermediate Persian Course by
Cover of the book Matthew Arnold by
Cover of the book The Baby Boomers Grow Up by
Cover of the book Personality and Person Perception Across Cultures by
Cover of the book Gender Segregation by
Cover of the book Tracking the White Rabbit by
Cover of the book Germany, France, Russia and Islam (Routledge Revivals) by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy