Modernism and the New Spain

Britain, Cosmopolitan Europe, and Literary History

Fiction & Literature, Literary Theory & Criticism, European, Spanish & Portuguese, Poetry History & Criticism, British
Cover of the book Modernism and the New Spain by Gayle Rogers, Oxford University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Gayle Rogers ISBN: 9780199376704
Publisher: Oxford University Press Publication: October 3, 2012
Imprint: Oxford University Press Language: English
Author: Gayle Rogers
ISBN: 9780199376704
Publisher: Oxford University Press
Publication: October 3, 2012
Imprint: Oxford University Press
Language: English

How and why did a country seen as remote, backwards, and barely European become a pivotal site for reinventing the continent after the Great War? Modernism and the New Spain argues that the "Spanish problem"-the nation's historically troubled relationship with Europe-provided an animating impulse for interwar literary modernism and for new conceptions of cosmopolitanism. Drawing on works in a variety of genres, Gayle Rogers reconstructs an archive of cross-cultural exchanges to reveal the mutual constitution of two modernist movements-one in Britain, the other in Spain, and stretching at key moments in between to Ireland and the Americas. Several sites of transnational collaboration form the core of Rogers's innovative literary history. The relationship between T. S. Eliot's Criterion and José Ortega y Gasset's Revista de Occidente shows how the two journals joined to promote a cosmopolitan agenda. A similar case of kindred spirits appears with the 1922 publication of Joyce's Ulysses. The novel's forward-thinking sentiments on race and nation resonated powerfully within Spain, where a generation of writers searched for non-statist forms through which they might express a new European Hispanicity. These cultural ties between the Anglo-Irish and Spanish-speaking worlds increased with the outbreak of civil war in 1936. Rogers explores the connections between fighting Spanish fascism and dismantling the English patriarchal system in Virginia Woolf's Three Guineas, along with the international, anti-fascist poetic community formed by Stephen Spender, Manuel Altolaguirre, and others as they sought to establish Federico García Lorca as an apolitical Spanish-European poet. Mining a rich array of sources that includes novels, periodicals, biographies, translations, and poetry in English and in Spanish, Modernism and the New Spain adds a vital new international perspective to modernist studies, revealing how writers created alliances that unified local and international reforms to reinvent Europe not in the London-Paris-Berlin nexus, but in Madrid.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

How and why did a country seen as remote, backwards, and barely European become a pivotal site for reinventing the continent after the Great War? Modernism and the New Spain argues that the "Spanish problem"-the nation's historically troubled relationship with Europe-provided an animating impulse for interwar literary modernism and for new conceptions of cosmopolitanism. Drawing on works in a variety of genres, Gayle Rogers reconstructs an archive of cross-cultural exchanges to reveal the mutual constitution of two modernist movements-one in Britain, the other in Spain, and stretching at key moments in between to Ireland and the Americas. Several sites of transnational collaboration form the core of Rogers's innovative literary history. The relationship between T. S. Eliot's Criterion and José Ortega y Gasset's Revista de Occidente shows how the two journals joined to promote a cosmopolitan agenda. A similar case of kindred spirits appears with the 1922 publication of Joyce's Ulysses. The novel's forward-thinking sentiments on race and nation resonated powerfully within Spain, where a generation of writers searched for non-statist forms through which they might express a new European Hispanicity. These cultural ties between the Anglo-Irish and Spanish-speaking worlds increased with the outbreak of civil war in 1936. Rogers explores the connections between fighting Spanish fascism and dismantling the English patriarchal system in Virginia Woolf's Three Guineas, along with the international, anti-fascist poetic community formed by Stephen Spender, Manuel Altolaguirre, and others as they sought to establish Federico García Lorca as an apolitical Spanish-European poet. Mining a rich array of sources that includes novels, periodicals, biographies, translations, and poetry in English and in Spanish, Modernism and the New Spain adds a vital new international perspective to modernist studies, revealing how writers created alliances that unified local and international reforms to reinvent Europe not in the London-Paris-Berlin nexus, but in Madrid.

More books from Oxford University Press

Cover of the book Writing through Music by Gayle Rogers
Cover of the book Drumming Asian America by Gayle Rogers
Cover of the book Nutritional Epidemiology by Gayle Rogers
Cover of the book Bracing for Armageddon? by Gayle Rogers
Cover of the book Non-dopamine Lesions in Parkinson's Disease by Gayle Rogers
Cover of the book Proclaim Liberty Throughout All the Land by Gayle Rogers
Cover of the book The Western Esoteric Traditions by Gayle Rogers
Cover of the book The History and Practice of Ancient Astronomy by Gayle Rogers
Cover of the book A Tale of Two Cities - With Audio Level 4 Oxford Bookworms Library by Gayle Rogers
Cover of the book Transnational Cooperation by Gayle Rogers
Cover of the book About to Die by Gayle Rogers
Cover of the book Choral Scores by Gayle Rogers
Cover of the book Religious Freedom in Islam by Gayle Rogers
Cover of the book Ethics and Humanity by Gayle Rogers
Cover of the book Lyndon B. Johnson: Portrait of a President by Gayle Rogers
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy