Mex-Ciné

Mexican Filmmaking, Production, and Consumption in the Twenty-first Century

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Mex-Ciné by Frederick L Aldama, University of Michigan Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Frederick L Aldama ISBN: 9780472029129
Publisher: University of Michigan Press Publication: April 25, 2013
Imprint: University of Michigan Press Language: English
Author: Frederick L Aldama
ISBN: 9780472029129
Publisher: University of Michigan Press
Publication: April 25, 2013
Imprint: University of Michigan Press
Language: English

Mex-Cinéoffers an accessibly written, multidisciplinary investigation of contemporary Mexican cinema that combines industrial, technical, and sociopolitical analysis with analyses of modes of reception through cognitive theory. Mex-Cinéaims to make visible the twenty-first century Mexican film industry, its blueprints, and the cognitive and emotive faculties involved in making and consuming its corpus. A sustained, free-flowing book-length meditation, Mex-Ciné enriches our understanding of the way contemporary Mexican directors use specific technical devices, structures, and characterizations in making films in ways that guide the perceptual, emotive, and cognitive faculties of their ideal audiences, while providing the historical contexts in which these films are made and consumed.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Mex-Cinéoffers an accessibly written, multidisciplinary investigation of contemporary Mexican cinema that combines industrial, technical, and sociopolitical analysis with analyses of modes of reception through cognitive theory. Mex-Cinéaims to make visible the twenty-first century Mexican film industry, its blueprints, and the cognitive and emotive faculties involved in making and consuming its corpus. A sustained, free-flowing book-length meditation, Mex-Ciné enriches our understanding of the way contemporary Mexican directors use specific technical devices, structures, and characterizations in making films in ways that guide the perceptual, emotive, and cognitive faculties of their ideal audiences, while providing the historical contexts in which these films are made and consumed.

More books from University of Michigan Press

Cover of the book The President Electric by Frederick L Aldama
Cover of the book The Puzzle of Judicial Behavior by Frederick L Aldama
Cover of the book Feather Brained by Frederick L Aldama
Cover of the book Fables of Representation by Frederick L Aldama
Cover of the book Recording Village Life by Frederick L Aldama
Cover of the book Race, Liberalism, and Economics by Frederick L Aldama
Cover of the book Finding Italy by Frederick L Aldama
Cover of the book Women of the Andes by Frederick L Aldama
Cover of the book Full Metal Jhacket by Frederick L Aldama
Cover of the book After Django by Frederick L Aldama
Cover of the book Jazz and Machine-Age Imperialism by Frederick L Aldama
Cover of the book The Holocaust, Corporations, and the Law by Frederick L Aldama
Cover of the book Three's a Crowd by Frederick L Aldama
Cover of the book Body Parts of Empire by Frederick L Aldama
Cover of the book Protest and the Politics of Blame by Frederick L Aldama
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy