Nothing in this war has so struck those who have fought in it as its impersonal nature. From the day the British Army moved north, and the first battle of Ypres commenced—and with it trench warfare as we know it now—it has been, save for a few interludes, a contest between automatons, backed by every known scientific device. Personal rancour against the opposing automatons separated by twenty or thirty yards of smelling mud—who stew in the same discomfort as yourself—is apt to give way to an acute animosity against life in general, and the accursed fate in particular which so foolishly decided your sex at birth. But, though rare, there have been cases of isolated encounters, where men—with the blood running hot in their veins—have got down to hand-grips, and grappling backwards and forwards in some cellar or dugout, have fought to the death, man to man, as of old. Such a case has recently come to my knowledge, a case at once bizarre and unique: a case where the much-exercised arm of coincidence showed its muscles to a remarkable degree. Only quite lately have I found out all the facts, and now at Dick O'Rourke's special request I am putting them on paper. True, they are intended to reach the eyes of one particular person, but ... the personal column in the Timesinterests others besides the lady in the magenta skirt, who will eat a banana at 3.30 daily by the Marble Arch! And now, at the very outset of my labours, I find myself—to my great alarm—committed to the placing on paper of a love scene. O'Rourke insists upon it: he says the whole thing will fall flat if I don't put it in; he promises that he will supply the local colour. In advance I apologise: my own love affairs are sufficiently trying without endeavouring to describe his—and with that, here goes. I will lift my curtain on the principals of this little drama, and open the scene at Ciro's in London. On the evening of April 21st, 1915, in the corner of that delectable resort, farthest away from the coon band, sat Dickie O'Rourke. That afternoon he had steppedfrom the boat at Folkestone on seven days' leave, and now in the boiled shirt of respectability he once again smelled the smell of London. With him was a girl. I have never seen her, but from his description I cannot think that I have lived until this oversight is rectified. Moreover, my lady, as this is written especially for your benefit, I hereby warn you that I propose to remedy my omission as soon as possible.
Nothing in this war has so struck those who have fought in it as its impersonal nature. From the day the British Army moved north, and the first battle of Ypres commenced—and with it trench warfare as we know it now—it has been, save for a few interludes, a contest between automatons, backed by every known scientific device. Personal rancour against the opposing automatons separated by twenty or thirty yards of smelling mud—who stew in the same discomfort as yourself—is apt to give way to an acute animosity against life in general, and the accursed fate in particular which so foolishly decided your sex at birth. But, though rare, there have been cases of isolated encounters, where men—with the blood running hot in their veins—have got down to hand-grips, and grappling backwards and forwards in some cellar or dugout, have fought to the death, man to man, as of old. Such a case has recently come to my knowledge, a case at once bizarre and unique: a case where the much-exercised arm of coincidence showed its muscles to a remarkable degree. Only quite lately have I found out all the facts, and now at Dick O'Rourke's special request I am putting them on paper. True, they are intended to reach the eyes of one particular person, but ... the personal column in the Timesinterests others besides the lady in the magenta skirt, who will eat a banana at 3.30 daily by the Marble Arch! And now, at the very outset of my labours, I find myself—to my great alarm—committed to the placing on paper of a love scene. O'Rourke insists upon it: he says the whole thing will fall flat if I don't put it in; he promises that he will supply the local colour. In advance I apologise: my own love affairs are sufficiently trying without endeavouring to describe his—and with that, here goes. I will lift my curtain on the principals of this little drama, and open the scene at Ciro's in London. On the evening of April 21st, 1915, in the corner of that delectable resort, farthest away from the coon band, sat Dickie O'Rourke. That afternoon he had steppedfrom the boat at Folkestone on seven days' leave, and now in the boiled shirt of respectability he once again smelled the smell of London. With him was a girl. I have never seen her, but from his description I cannot think that I have lived until this oversight is rectified. Moreover, my lady, as this is written especially for your benefit, I hereby warn you that I propose to remedy my omission as soon as possible.