Losers and Keepers in Argentina: A Work of Fiction


Cover of the book Losers and Keepers in Argentina: A Work of Fiction by Nina Barragan, University of New Mexico Press
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Author: Nina Barragan ISBN: 9780826329905
Publisher: University of New Mexico Press Publication: January 1, 2001
Imprint: University of New Mexico Press Language: English
Author: Nina Barragan
ISBN: 9780826329905
Publisher: University of New Mexico Press
Publication: January 1, 2001
Imprint: University of New Mexico Press
Language: English

Rifke Schulman, a Russian Jew, came to Argentina in 1889 at the age of eighteen and helped set up the small agricultural colony called Moises Ville. Rifke's journal and the accompanying short stories introduce Bela Pelatnik, a victim of the white slave trade; Henoch Rosenvitch, the love of Rifke's life; Leah Uberman on her way to attend Moises Ville's centennial celebration; and many others. The book spans the last hundred years and examines the experience of Jewish immigrants in both North and South America, some of whom were nourished by their roots, others who severed their ties to an old way of life. In looking at the choices they all made, the ways they found love or shut themselves off from it, Nina Barragan offers a moving and multidimensional portrait of early twentieth-century Argentina and its contemporary descendants.

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Rifke Schulman, a Russian Jew, came to Argentina in 1889 at the age of eighteen and helped set up the small agricultural colony called Moises Ville. Rifke's journal and the accompanying short stories introduce Bela Pelatnik, a victim of the white slave trade; Henoch Rosenvitch, the love of Rifke's life; Leah Uberman on her way to attend Moises Ville's centennial celebration; and many others. The book spans the last hundred years and examines the experience of Jewish immigrants in both North and South America, some of whom were nourished by their roots, others who severed their ties to an old way of life. In looking at the choices they all made, the ways they found love or shut themselves off from it, Nina Barragan offers a moving and multidimensional portrait of early twentieth-century Argentina and its contemporary descendants.

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