Limits of Orality and Textuality in Ciaran Carsons Poetry

Fiction & Literature, Literary Theory & Criticism, British, Nonfiction, Religion & Spirituality, Philosophy
Cover of the book Limits of Orality and Textuality in Ciaran Carsons Poetry by Grzegorz Czemiel, Peter Lang
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Author: Grzegorz Czemiel ISBN: 9783653988932
Publisher: Peter Lang Publication: December 15, 2014
Imprint: Peter Lang GmbH, Internationaler Verlag der Wissenschaften Language: English
Author: Grzegorz Czemiel
ISBN: 9783653988932
Publisher: Peter Lang
Publication: December 15, 2014
Imprint: Peter Lang GmbH, Internationaler Verlag der Wissenschaften
Language: English

Following the evolution of Ciaran Carson’s work, this book aims to trace the tension between orality and textuality, which can be discerned in the poetry of the Northern-Irish writer. Assuming these forces to be the two major sources of all literature, the author delineates, using deconstruction, how they inform and structure Carson’s poetic œuvre. Further thematic analyses focus on three major themes: memory, city and history, adopting various critical approaches, among them New Historicism and psychoanalysis. Finally, taking cue from Carson’s later work, an epistemological and metaphysical dimension of his poetry is revealed. This serves as the final vantage point from which the author offers a potential glimpse beyond the said dialectic, unveiling Carson’s broadly ethical project.

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Following the evolution of Ciaran Carson’s work, this book aims to trace the tension between orality and textuality, which can be discerned in the poetry of the Northern-Irish writer. Assuming these forces to be the two major sources of all literature, the author delineates, using deconstruction, how they inform and structure Carson’s poetic œuvre. Further thematic analyses focus on three major themes: memory, city and history, adopting various critical approaches, among them New Historicism and psychoanalysis. Finally, taking cue from Carson’s later work, an epistemological and metaphysical dimension of his poetry is revealed. This serves as the final vantage point from which the author offers a potential glimpse beyond the said dialectic, unveiling Carson’s broadly ethical project.

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