Graphic adaptation of Paul Auster's 'City of Glass' - Visual language and symbolism

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Graphic adaptation of Paul Auster's 'City of Glass' - Visual language and symbolism by Alisa Westermann, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Alisa Westermann ISBN: 9783640935307
Publisher: GRIN Publishing Publication: June 10, 2011
Imprint: GRIN Publishing Language: English
Author: Alisa Westermann
ISBN: 9783640935307
Publisher: GRIN Publishing
Publication: June 10, 2011
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Münster (Englisches Seminar), course: Graphic Novels, language: English, abstract: It was a wrong number that started it, the telephone ringing three times in the dead of night, and the voice on the other end asking for someone he was not. (Auster, 1985; 3) Paul Auster's anti-detective novel City of Glass is the story of a man, whose life accidentally angles off. More and more, he blunders into the complexity of a criminal case in search of the significant principle. Obsessively, he adapts his action to the stranger until he finally loses hisself. Although Auster's novel, which is based on the nature and the function of language, is rather non-visual, Paul Karasik and David Mazzucchelli succeeded in adopting it into a graphic novel that is more than just a translation from one genre into another. They managed to create a visual language full of metaphors, symbols and icons that add a new layer of meaning to the story. This is the reason why I decided to pick City of Glass: The graphic novel as the basis of my term paper. This thesis will argue that a graphic adaptation of a literary work can be more than just an illustrated copy of a superior novel and worth an analysis on its own. Furthermore, I will take a deeper look at the visual language, specifically, the visual metaphors and symbols, which build up the graphic novel and how these finding can be adapted into learning situations. First of all, I will give a summary of City of Glass: the novel followed by a definition of the anti-detective genre with the intention to point out, that the visual language of City of Glass: the graphic novel reflects this genre. Afterwards, a survey of the graphic novel as well as an analysis of its structure and composition and its visual language and symbolism is given. A brief outline of how these findings can be useful in teaching and learning situations will precede the conclusion.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Münster (Englisches Seminar), course: Graphic Novels, language: English, abstract: It was a wrong number that started it, the telephone ringing three times in the dead of night, and the voice on the other end asking for someone he was not. (Auster, 1985; 3) Paul Auster's anti-detective novel City of Glass is the story of a man, whose life accidentally angles off. More and more, he blunders into the complexity of a criminal case in search of the significant principle. Obsessively, he adapts his action to the stranger until he finally loses hisself. Although Auster's novel, which is based on the nature and the function of language, is rather non-visual, Paul Karasik and David Mazzucchelli succeeded in adopting it into a graphic novel that is more than just a translation from one genre into another. They managed to create a visual language full of metaphors, symbols and icons that add a new layer of meaning to the story. This is the reason why I decided to pick City of Glass: The graphic novel as the basis of my term paper. This thesis will argue that a graphic adaptation of a literary work can be more than just an illustrated copy of a superior novel and worth an analysis on its own. Furthermore, I will take a deeper look at the visual language, specifically, the visual metaphors and symbols, which build up the graphic novel and how these finding can be adapted into learning situations. First of all, I will give a summary of City of Glass: the novel followed by a definition of the anti-detective genre with the intention to point out, that the visual language of City of Glass: the graphic novel reflects this genre. Afterwards, a survey of the graphic novel as well as an analysis of its structure and composition and its visual language and symbolism is given. A brief outline of how these findings can be useful in teaching and learning situations will precede the conclusion.

More books from GRIN Publishing

Cover of the book HIV and AIDS in the workplace by Alisa Westermann
Cover of the book Antropología del género. Evaluación a la antropología queer by Alisa Westermann
Cover of the book The Origins of the German language - The First and Second Sound Shift by Alisa Westermann
Cover of the book Wirtschaftliche Betätigung der Gemeinde by Alisa Westermann
Cover of the book Zukunftsfähige Arbeitsplätze in den OECD-Staaten by Alisa Westermann
Cover of the book Marxist and Neo-Marxist Theories of Class by Alisa Westermann
Cover of the book Internationalisation of German Higher Education by Alisa Westermann
Cover of the book Re-interpretation of Robert Gartside's book 'Interpreting the songs of Maurice Ravel' by Alisa Westermann
Cover of the book A story of ethics - how sex creates order by Alisa Westermann
Cover of the book Franchising als Vertriebsform by Alisa Westermann
Cover of the book History on Screen - Shaping National Identity in Mikhalkov's Cinema by Alisa Westermann
Cover of the book American Jews in World War I - German Propaganda Courting the American Jewry by Alisa Westermann
Cover of the book Doping and Detection in Professional Sport by Alisa Westermann
Cover of the book Muster: Letter of Recommendation by Alisa Westermann
Cover of the book Concepts of Time in Virginia Woolf by Alisa Westermann
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy