Georges Seurat:180 Plates

Nonfiction, Art & Architecture, Art History, European, General Art
Cover of the book Georges Seurat:180 Plates by Maria Peitcheva, Maria Peitcheva
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Author: Maria Peitcheva ISBN: 9788892522152
Publisher: Maria Peitcheva Publication: November 26, 2015
Imprint: Language: English
Author: Maria Peitcheva
ISBN: 9788892522152
Publisher: Maria Peitcheva
Publication: November 26, 2015
Imprint:
Language: English

This Art Book with Foreword by Maria Peitcheva contains 180 selected color plates of drawings and paintings from Georges Seurat.

An important Post-Impressionist French painter, Georges Seurat moved away from the apparent spontaneity and rapidity of Impressionism and developed a structured, more monumental art to depict modern urban life. For several of his large compositions, Seurat painted many small studies. He is chiefly remembered as the pioneer of the Neo-Impressionist technique commonly known as Divisionism, or Pointillism, an approach associated with a softly flickering surface of small dots or strokes of color. His innovations derived from new quasi-scientific theories about color and expression, yet the graceful beauty of his work is explained by the influence of very different sources.

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This Art Book with Foreword by Maria Peitcheva contains 180 selected color plates of drawings and paintings from Georges Seurat.

An important Post-Impressionist French painter, Georges Seurat moved away from the apparent spontaneity and rapidity of Impressionism and developed a structured, more monumental art to depict modern urban life. For several of his large compositions, Seurat painted many small studies. He is chiefly remembered as the pioneer of the Neo-Impressionist technique commonly known as Divisionism, or Pointillism, an approach associated with a softly flickering surface of small dots or strokes of color. His innovations derived from new quasi-scientific theories about color and expression, yet the graceful beauty of his work is explained by the influence of very different sources.

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