Stefano Della Bella: Drawings Colour Plates

Nonfiction, Home & Garden, Crafts & Hobbies, Art Technique, Drawing, Art & Architecture, General Art
Cover of the book Stefano Della Bella: Drawings Colour Plates by Maria Peitcheva, Maria Peitcheva
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Maria Peitcheva ISBN: 9788892553743
Publisher: Maria Peitcheva Publication: February 13, 2016
Imprint: Language: English
Author: Maria Peitcheva
ISBN: 9788892553743
Publisher: Maria Peitcheva
Publication: February 13, 2016
Imprint:
Language: English

Stefano della Bella (1610 – 1664) was an Italian draughtsman and printmaker known for etchings of a great variety of subjects, including military and court scenes, landscapes, and lively genre scenes. He left 1052 prints, and several thousand drawings, but only one known painting.
He is known to have illustrated some discoveries for Galileo, and depicted Hansken the famous elephant, when dead. In his final years he produced a number of prints experimenting with tonal effects, though these were little known at the time; he had long made much use of wash in his drawings, and was now attempting with considerable success to achieve similar effects in etching, though only a few good impressions could be taken from the plate.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Stefano della Bella (1610 – 1664) was an Italian draughtsman and printmaker known for etchings of a great variety of subjects, including military and court scenes, landscapes, and lively genre scenes. He left 1052 prints, and several thousand drawings, but only one known painting.
He is known to have illustrated some discoveries for Galileo, and depicted Hansken the famous elephant, when dead. In his final years he produced a number of prints experimenting with tonal effects, though these were little known at the time; he had long made much use of wash in his drawings, and was now attempting with considerable success to achieve similar effects in etching, though only a few good impressions could be taken from the plate.

More books from Maria Peitcheva

Cover of the book Adolph Menzel: 185 Colour Plates by Maria Peitcheva
Cover of the book Rembrandt Drawings:Colour Plates by Maria Peitcheva
Cover of the book Prudhon: 165 Plates by Maria Peitcheva
Cover of the book Gainsborough: 295 Colour Plates by Maria Peitcheva
Cover of the book Arcimboldo: Drawings by Maria Peitcheva
Cover of the book Rubens: 265 Plates by Maria Peitcheva
Cover of the book Henry Fuseli: 250 Colour Plates by Maria Peitcheva
Cover of the book John Constable: 226 Plates by Maria Peitcheva
Cover of the book Repin: 190 Colour Plates by Maria Peitcheva
Cover of the book Guillaumin: 183 Colour Plates by Maria Peitcheva
Cover of the book Toulouse Lautrec: 310 Plates by Maria Peitcheva
Cover of the book Gauguin: Drawings 104 Colour Plates by Maria Peitcheva
Cover of the book Piranesi: Drawings Colour Plates by Maria Peitcheva
Cover of the book Winslow Homer: 216 Colour Plates by Maria Peitcheva
Cover of the book Amedeo Modigliani: 230 Plates by Maria Peitcheva
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy