Freud and the Scene of Trauma

Nonfiction, Health & Well Being, Psychology, Creative Ability, Psychoanalysis, Mental Illness
Cover of the book Freud and the Scene of Trauma by John Fletcher, Fordham University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: John Fletcher ISBN: 9780823254613
Publisher: Fordham University Press Publication: December 2, 2013
Imprint: Fordham University Press Language: English
Author: John Fletcher
ISBN: 9780823254613
Publisher: Fordham University Press
Publication: December 2, 2013
Imprint: Fordham University Press
Language: English

“This book will reward scholars across a number of disciplines: literary studies, trauma studies, psychoanalysis and psychology, and philosophy.” —Choice

This book argues that Freud’s mapping of trauma as a scene is central to both his clinical interpretation of his patients’ symptoms and his construction of successive theoretical models and concepts to explain the power of such scenes in his patients’ lives. This attention to the scenic form of trauma and its power in determining symptoms leads to Freud’s break from the neurological model of trauma he inherited from Charcot. It also helps to explain the affinity that Freud, and many since him, have felt between psychoanalysis and literature—and artistic production more generally—and the privileged role of literature at certain turning points in the development of his thought. It is Freud’s scenography of trauma and fantasy that speaks to the student of literature and painting.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

“This book will reward scholars across a number of disciplines: literary studies, trauma studies, psychoanalysis and psychology, and philosophy.” —Choice

This book argues that Freud’s mapping of trauma as a scene is central to both his clinical interpretation of his patients’ symptoms and his construction of successive theoretical models and concepts to explain the power of such scenes in his patients’ lives. This attention to the scenic form of trauma and its power in determining symptoms leads to Freud’s break from the neurological model of trauma he inherited from Charcot. It also helps to explain the affinity that Freud, and many since him, have felt between psychoanalysis and literature—and artistic production more generally—and the privileged role of literature at certain turning points in the development of his thought. It is Freud’s scenography of trauma and fantasy that speaks to the student of literature and painting.

More books from Fordham University Press

Cover of the book The Feminine Symptom by John Fletcher
Cover of the book Liturgical Power by John Fletcher
Cover of the book Murder, Inc., and the Moral Life by John Fletcher
Cover of the book Divine Multiplicity by John Fletcher
Cover of the book Still the Same Hawk: Reflections on Nature and New York by John Fletcher
Cover of the book Standing by the Ruins by John Fletcher
Cover of the book Mourning Philology by John Fletcher
Cover of the book Believing in Order to See by John Fletcher
Cover of the book Creolizing Political Theory by John Fletcher
Cover of the book American Metempsychosis by John Fletcher
Cover of the book The Metamorphosis of Finitude by John Fletcher
Cover of the book Artists' SoHo by John Fletcher
Cover of the book Chronicle of Separation by John Fletcher
Cover of the book From Slave Ship to Harvard by John Fletcher
Cover of the book Classical New York by John Fletcher
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy