Dutch the Diver: A Man's Mistake

Now, on the other hand, Rasp was a decidedly plain man, rough, rugged, grizzled, and with eyebrows and whiskers of the raggedest nature possible. Their peculiar bristly quality was partaken of also by his hair, which, though cut short, was abundant; and though you might have brushed it to your heart’s content, it was as obstinate as its owner, for it never lay in any direction but that it liked. At this point Rasp, who was a favoured old servant of the firm in which Dutch Pugh held a confidential post, made another attempt to stoke the fire, was turned on his flank, and retreated, leaving the young man to busily resume the drawing of a plan for some piece of machinery. It was a dark, gloomy-looking room, that in which he worked, for the one window opened upon the narrow street of the busy sea-port of Ramwich; and a heavy, yellow fog hung over the town, and made the office look gloomy and full of shadow. The place was fitted up as a private office, and near the window was placed one of those great double-sloped desks, so arranged that four people could stand, or sit upon the high leather-covered stools, and write at it at the same time. A wide level divided the two slopes, and this was dominated by brass rails, beneath which stood a couple of those broad, flat, pewter inkstands common in commercial offices, and which in this case it was Rasp’s delight to keep clean. There were other objects about the gloomy office, though, upon which Rasp bestowed his time; for in three places, fitted on stands, and strapped to the wall to prevent their falling forward, were what looked at first sight, as they peered from the gloom, like so many suits of grotesque armour; for what light there was gleamed from the huge polished helmets, with their great brass, latticed goggle glass eyes—whose crests were tubes, and ornamentation glistening rims and studs of copper. A nervous person coming upon them in the dark might easily have been startled, for, with a certain grim idea of humour, Rasp had by degrees so arranged them that they leaned forward in peculiarly life-like positions—the hand of one holding a copper lantern, another being in the act of striking with a massive hatchet, and the third poising a huge crowbar in a menacing mode.