Deconstructing Contemporary Chinese Art

Selected Critical Writings and Conversations, 2007-2014

Nonfiction, Art & Architecture, General Art, Criticism, Social & Cultural Studies, Social Science, Sociology
Cover of the book Deconstructing Contemporary Chinese Art by Paul Gladston, Springer Berlin Heidelberg
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Author: Paul Gladston ISBN: 9783662464885
Publisher: Springer Berlin Heidelberg Publication: August 21, 2015
Imprint: Springer Language: English
Author: Paul Gladston
ISBN: 9783662464885
Publisher: Springer Berlin Heidelberg
Publication: August 21, 2015
Imprint: Springer
Language: English

The book presents a range of articles and discussions that offer critical insights into the development of contemporary Chinese art, both within China and internationally. It brings together selected writings, both published and unpublished, by Paul Gladston, one of the foremost international scholars on contemporary Chinese art. The articles are based on extensive first-hand research, much of which was carried out during an extended residence in China between 2005 and 2010. In contrast to many other writers on contemporary Chinese art, Gladston analyses his subject with specific reference to the concerns of critical theory. In his writings he consistently argues for a “polylogic” (multi-voiced) approach to research and analysis grounded in painstaking attention to local, regional and international conditions of artistic production, reception and display.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The book presents a range of articles and discussions that offer critical insights into the development of contemporary Chinese art, both within China and internationally. It brings together selected writings, both published and unpublished, by Paul Gladston, one of the foremost international scholars on contemporary Chinese art. The articles are based on extensive first-hand research, much of which was carried out during an extended residence in China between 2005 and 2010. In contrast to many other writers on contemporary Chinese art, Gladston analyses his subject with specific reference to the concerns of critical theory. In his writings he consistently argues for a “polylogic” (multi-voiced) approach to research and analysis grounded in painstaking attention to local, regional and international conditions of artistic production, reception and display.

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