Between Film, Video, and the Digital

Hybrid Moving Images in the Post-Media Age

Nonfiction, Art & Architecture, General Art, Social & Cultural Studies, Social Science
Cover of the book Between Film, Video, and the Digital by Jihoon Kim, Bloomsbury Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Jihoon Kim ISBN: 9781628922929
Publisher: Bloomsbury Publishing Publication: July 14, 2016
Imprint: Bloomsbury Academic Language: English
Author: Jihoon Kim
ISBN: 9781628922929
Publisher: Bloomsbury Publishing
Publication: July 14, 2016
Imprint: Bloomsbury Academic
Language: English

Encompassing experimental film and video, essay film, gallery-based installation art, and digital art, Jihoon Kim establishes the concept of hybrid moving images as an array of impure images shaped by the encounters and negotiations between different media, while also using it to explore various theoretical issues, such as stillness and movement, indexicality, abstraction, materiality, afterlives of the celluloid cinema, archive, memory, apparatus, and the concept of medium as such.

Grounding its study in interdisciplinary framework of film studies, media studies, and contemporary art criticism, Between Film, Video, and the Digital offers a fresh insight on the post-media conditions of film and video under the pervasive influences of digital technologies, as well as on the crucial roles of media hybridity in the creative processes of giving birth to the emerging forms of the moving image. Incorporating in-depth readings of recent works by more than thirty artists and filmmakers, including Jim Campbell, Bill Viola, Sam Taylor-Johnson, David Claerbout, Fiona Tan, Takeshi Murata, Jennifer West, Ken Jacobs, Christoph Girardet and Matthias Müller, Hito Steyerl, Lynne Sachs, Harun Farocki, Doug Aitken, Douglas Gordon, Stan Douglas, Candice Breitz, among others, the book is the essential scholarly monograph for understanding how digital technologies simultaneously depend on and differ film previous time-based media, and how this juncture of similarities and differences signals a new regime of the art of the moving image.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Encompassing experimental film and video, essay film, gallery-based installation art, and digital art, Jihoon Kim establishes the concept of hybrid moving images as an array of impure images shaped by the encounters and negotiations between different media, while also using it to explore various theoretical issues, such as stillness and movement, indexicality, abstraction, materiality, afterlives of the celluloid cinema, archive, memory, apparatus, and the concept of medium as such.

Grounding its study in interdisciplinary framework of film studies, media studies, and contemporary art criticism, Between Film, Video, and the Digital offers a fresh insight on the post-media conditions of film and video under the pervasive influences of digital technologies, as well as on the crucial roles of media hybridity in the creative processes of giving birth to the emerging forms of the moving image. Incorporating in-depth readings of recent works by more than thirty artists and filmmakers, including Jim Campbell, Bill Viola, Sam Taylor-Johnson, David Claerbout, Fiona Tan, Takeshi Murata, Jennifer West, Ken Jacobs, Christoph Girardet and Matthias Müller, Hito Steyerl, Lynne Sachs, Harun Farocki, Doug Aitken, Douglas Gordon, Stan Douglas, Candice Breitz, among others, the book is the essential scholarly monograph for understanding how digital technologies simultaneously depend on and differ film previous time-based media, and how this juncture of similarities and differences signals a new regime of the art of the moving image.

More books from Bloomsbury Publishing

Cover of the book Dreams of a Refugee by Jihoon Kim
Cover of the book Trust in International Police and Justice Cooperation by Jihoon Kim
Cover of the book Lord Sumption and the Limits of the Law by Jihoon Kim
Cover of the book Power of Persuasion by Jihoon Kim
Cover of the book Don't Leave Me This Way by Jihoon Kim
Cover of the book Dead Ends by Jihoon Kim
Cover of the book Junkers Ju 87 Stukageschwader of the Russian Front by Jihoon Kim
Cover of the book The Advanced Cyclist's Training Manual by Jihoon Kim
Cover of the book Abandon Me by Jihoon Kim
Cover of the book The Mongol Invasions of Japan 1274 and 1281 by Jihoon Kim
Cover of the book Knights' Tales: The Knight of Swords and Spooks by Jihoon Kim
Cover of the book Administrative Law and Judicial Deference by Jihoon Kim
Cover of the book The Tudor Garden by Jihoon Kim
Cover of the book Shooting Script by Jihoon Kim
Cover of the book Special Forces Sniper Skills by Jihoon Kim
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy