Art after Empire

From Colonialism to Globalisation

Nonfiction, Art & Architecture, General Art, Criticism, Art History
Cover of the book Art after Empire by , Manchester University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781526122971
Publisher: Manchester University Press Publication: August 1, 2018
Imprint: Manchester University Press Language: English
Author:
ISBN: 9781526122971
Publisher: Manchester University Press
Publication: August 1, 2018
Imprint: Manchester University Press
Language: English

This book explores the relationship between art and visual culture in Europe and the ‘wider world’ from the early twentieth century to the contemporary era of globalisation. Artists such as Pablo Picasso explored the art of the rest of world in ways that were increasingly challenged as Eurocentric by artists such as the Surrealists. The complex relationship between art, politics and post-colonial struggle is then investigated in the work of Diego Rivera and Mexican muralist painters and more recent installation and lens-based practices, including work by Ai Weiwei and Chantal Ackerman. The contributors consider the roles of museums and art institutions, international exhibitions, and the art market, alongside patterns of artistic migration across continents and the growing use of communication technologies. This book is an ideal teaching aid for undergraduates in history of art and related disciplines.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book explores the relationship between art and visual culture in Europe and the ‘wider world’ from the early twentieth century to the contemporary era of globalisation. Artists such as Pablo Picasso explored the art of the rest of world in ways that were increasingly challenged as Eurocentric by artists such as the Surrealists. The complex relationship between art, politics and post-colonial struggle is then investigated in the work of Diego Rivera and Mexican muralist painters and more recent installation and lens-based practices, including work by Ai Weiwei and Chantal Ackerman. The contributors consider the roles of museums and art institutions, international exhibitions, and the art market, alongside patterns of artistic migration across continents and the growing use of communication technologies. This book is an ideal teaching aid for undergraduates in history of art and related disciplines.

More books from Manchester University Press

Cover of the book The Judas kiss by
Cover of the book More work! Less pay!' by
Cover of the book Julio Medem by
Cover of the book Gothic death 1740–1914 by
Cover of the book Early modern women and the poem by
Cover of the book Men in reserve by
Cover of the book Deism in Enlightenment England by
Cover of the book The law of international orgnaisations by
Cover of the book The politics of alcohol by
Cover of the book Female imperialism and national identity by
Cover of the book The art of the possible by
Cover of the book Humboldt and the modern German university by
Cover of the book Imagining women readers, 1789–1820 by
Cover of the book The Blair Supremacy by
Cover of the book The American bomb in Britain by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy