Jean Epstein

Corporeal Cinema and Film Philosophy

Nonfiction, Entertainment, Film, Direction & Production, Performing Arts
Cover of the book Jean Epstein by Christophe Wall-Romana, Manchester University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Christophe Wall-Romana ISBN: 9781526111364
Publisher: Manchester University Press Publication: May 16, 2016
Imprint: Manchester University Press Language: English
Author: Christophe Wall-Romana
ISBN: 9781526111364
Publisher: Manchester University Press
Publication: May 16, 2016
Imprint: Manchester University Press
Language: English

This is the first comprehensive study of Jean Epstein's fiction and documentary films, film theory, and writings on poetry and homosexuality. Until now no general introduction to this very influential filmmaker, thinker and writer was available in English. The book unfolds the intellectual trajectory of Epstein, describes and comments on his most famous films and little-known documentaries, both silent and sound works, and defines the key terms and concepts of his philosophy of cinema. Wall-Romana argues that Epstein is among the most transformational thinkers of modernity in that he brought together, before Walter Benjamin, moving images, technology, embodiment and affect, philosophy and literature. After an introduction retracing Epstein's life and place in cinema history, the first chapter shows the links between his early career in medicine, his early writings (on poetry, cinema and 'lyrosophy'), and his conceptions of photogénie as embodied viewing. The next two chapters examine his best-known film work situated at the intersection of avant-garde and melodrama, and bring a new focus on the interplay of technics, failed romance, and queer themes and figures. The following three chapters take up his metaphysical Brittany cycle of the 1920s, his documentary committed to the Front Populaire, and his overall philosophy of the cinema. The conclusion explores the surprisingly Epsteinian dimension of some recent cinema, such as films by Soderbergh and Ang Lee, or the wuxia genre. Jean Epstein: Corporeal cinema and film philosophy is aimed at students, lecturers, and scholars of silent cinema, film theory, French studies, queer studies, poetry studies, and media and digital studies in their turn towards embodiment and affect.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This is the first comprehensive study of Jean Epstein's fiction and documentary films, film theory, and writings on poetry and homosexuality. Until now no general introduction to this very influential filmmaker, thinker and writer was available in English. The book unfolds the intellectual trajectory of Epstein, describes and comments on his most famous films and little-known documentaries, both silent and sound works, and defines the key terms and concepts of his philosophy of cinema. Wall-Romana argues that Epstein is among the most transformational thinkers of modernity in that he brought together, before Walter Benjamin, moving images, technology, embodiment and affect, philosophy and literature. After an introduction retracing Epstein's life and place in cinema history, the first chapter shows the links between his early career in medicine, his early writings (on poetry, cinema and 'lyrosophy'), and his conceptions of photogénie as embodied viewing. The next two chapters examine his best-known film work situated at the intersection of avant-garde and melodrama, and bring a new focus on the interplay of technics, failed romance, and queer themes and figures. The following three chapters take up his metaphysical Brittany cycle of the 1920s, his documentary committed to the Front Populaire, and his overall philosophy of the cinema. The conclusion explores the surprisingly Epsteinian dimension of some recent cinema, such as films by Soderbergh and Ang Lee, or the wuxia genre. Jean Epstein: Corporeal cinema and film philosophy is aimed at students, lecturers, and scholars of silent cinema, film theory, French studies, queer studies, poetry studies, and media and digital studies in their turn towards embodiment and affect.

More books from Manchester University Press

Cover of the book Men on trial by Christophe Wall-Romana
Cover of the book A literature of restitution by Christophe Wall-Romana
Cover of the book Human remains in society by Christophe Wall-Romana
Cover of the book Polysituatedness by Christophe Wall-Romana
Cover of the book Histories of nursing practice by Christophe Wall-Romana
Cover of the book Creating character by Christophe Wall-Romana
Cover of the book The Great Labour Unrest by Christophe Wall-Romana
Cover of the book Children's rights, Eastern enlargement and the EU human rights regime by Christophe Wall-Romana
Cover of the book Cultivating political and public identity by Christophe Wall-Romana
Cover of the book Wales since 1939 by Christophe Wall-Romana
Cover of the book Localizing global sport for development by Christophe Wall-Romana
Cover of the book Crossing the floor by Christophe Wall-Romana
Cover of the book African security in the twenty-first century by Christophe Wall-Romana
Cover of the book The Protestant Orphan Society and its social significance in Ireland 1828–1940 by Christophe Wall-Romana
Cover of the book National Missile Defence and the politics of US identity by Christophe Wall-Romana
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy