A Political Economy of Modernism

Literature, Post-Classical Economics, and the Lower Middle-Class

Nonfiction, Social & Cultural Studies, Political Science, Politics, Economic Conditions, Fiction & Literature, Literary Theory & Criticism
Cover of the book A Political Economy of Modernism by Ronald Schleifer, Cambridge University Press
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Author: Ronald Schleifer ISBN: 9781108680240
Publisher: Cambridge University Press Publication: September 30, 2018
Imprint: Cambridge University Press Language: English
Author: Ronald Schleifer
ISBN: 9781108680240
Publisher: Cambridge University Press
Publication: September 30, 2018
Imprint: Cambridge University Press
Language: English

In A Political Economy of Modernism, Ronald Schleifer examines the political economy of what he calls 'the culture of modernism' by focusing on literature and the arts; intellectual disciplines of post-classical economics; and institutional structures of corporate capitalism and the lower middle-class. In its wide ranging study focused on modernist writers (Dreiser, Hardy, Joyce, Stevens, Woolf, Wells, Wharton, Yeats), modernist artists (Cézanne, Picasso, Stravinsky, Schoenberg), economists (Jevons, Marshall, Veblen), and philosophers (Benjamin, Jakobson, Russell), this book presents an institutional history of cultural modernism in relation to the intellectual history of Enlightenment ethos and the social history of the second Industrial Revolution. It articulates a new method of analysis of the early twentieth century - configuration and modeling - that reveals close connections among its arts, understandings, and social organizations.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In A Political Economy of Modernism, Ronald Schleifer examines the political economy of what he calls 'the culture of modernism' by focusing on literature and the arts; intellectual disciplines of post-classical economics; and institutional structures of corporate capitalism and the lower middle-class. In its wide ranging study focused on modernist writers (Dreiser, Hardy, Joyce, Stevens, Woolf, Wells, Wharton, Yeats), modernist artists (Cézanne, Picasso, Stravinsky, Schoenberg), economists (Jevons, Marshall, Veblen), and philosophers (Benjamin, Jakobson, Russell), this book presents an institutional history of cultural modernism in relation to the intellectual history of Enlightenment ethos and the social history of the second Industrial Revolution. It articulates a new method of analysis of the early twentieth century - configuration and modeling - that reveals close connections among its arts, understandings, and social organizations.

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