A Megaphone: Some Enactments, Some Numbers, and Some Essays about the Continued Usefulness of Crotchless-pants-and-a-machine-gun Feminism

Fiction & Literature, Literary Theory & Criticism, Women Authors
Cover of the book A Megaphone: Some Enactments, Some Numbers, and Some Essays about the Continued Usefulness of Crotchless-pants-and-a-machine-gun Feminism by Juliana Spahr, Stephanie Young, 'A 'A Arts
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Juliana Spahr, Stephanie Young ISBN: 9781930068490
Publisher: 'A 'A Arts Publication: April 1, 2011
Imprint: Chain Links Language: English
Author: Juliana Spahr, Stephanie Young
ISBN: 9781930068490
Publisher: 'A 'A Arts
Publication: April 1, 2011
Imprint: Chain Links
Language: English
A Megaphone collects a number of enactments that Spahr and Young did between the years of 2005-2007. In these enactments, they attempted to think with the playful dogmatism of a feminist tradition that they call "crotchless pants and a machine gun" (obviously referencing Valie Export) in order to locate what might still be useful today about the somewhat beleaguered "second wave" feminist traditions. To that end, Spahr and Young lectured in Oulipian slenderized baby talk about figures such as Carolee Schneemann and Marina Abramovic; they counted the numbers of women and men and tansgendered people in various poetry anthologies; and they invited writers from outside the US to talk about being a writer where they live (over seventy-five writers from Puerto Rico to Morocco to Croatia to South Africa to Syria to Micronesia to Korea responded). Also included in A Megaphone are discussions of that always contested relationship between feminism and "experimental" poetry by Julian T. Brolaski, E. Tracy Grinnell, Paul Foster Johnson, Christian Peet, Barbara Jane Reyes, Dale Smith, and A. E. Stallings. The book ends with a (soma)tic writing exercise from CAConrad, one designed to encourage readers and writers to create open, yet still meaningful, feminist alliances.It is a big book. About 400 pages. And it covers a lot of territory. We like to think of A Megaphone as a shout-out to the feminist work that writers are already doing and to work that they might do in the future. Maybe work that they do together, even if they do it at separate desks. It desires a big, sticky, messy feminist web. This is one reason that we're trying to get it reviewed as widely as possible.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
A Megaphone collects a number of enactments that Spahr and Young did between the years of 2005-2007. In these enactments, they attempted to think with the playful dogmatism of a feminist tradition that they call "crotchless pants and a machine gun" (obviously referencing Valie Export) in order to locate what might still be useful today about the somewhat beleaguered "second wave" feminist traditions. To that end, Spahr and Young lectured in Oulipian slenderized baby talk about figures such as Carolee Schneemann and Marina Abramovic; they counted the numbers of women and men and tansgendered people in various poetry anthologies; and they invited writers from outside the US to talk about being a writer where they live (over seventy-five writers from Puerto Rico to Morocco to Croatia to South Africa to Syria to Micronesia to Korea responded). Also included in A Megaphone are discussions of that always contested relationship between feminism and "experimental" poetry by Julian T. Brolaski, E. Tracy Grinnell, Paul Foster Johnson, Christian Peet, Barbara Jane Reyes, Dale Smith, and A. E. Stallings. The book ends with a (soma)tic writing exercise from CAConrad, one designed to encourage readers and writers to create open, yet still meaningful, feminist alliances.It is a big book. About 400 pages. And it covers a lot of territory. We like to think of A Megaphone as a shout-out to the feminist work that writers are already doing and to work that they might do in the future. Maybe work that they do together, even if they do it at separate desks. It desires a big, sticky, messy feminist web. This is one reason that we're trying to get it reviewed as widely as possible.

More books from Women Authors

Cover of the book Conversations with Edna O'Brien by Juliana Spahr, Stephanie Young
Cover of the book Gertrude Stein in Europe by Juliana Spahr, Stephanie Young
Cover of the book The Political Work of Northern Women Writers and the Civil War, 1850-1872 by Juliana Spahr, Stephanie Young
Cover of the book Anne Brontë and the Trials of Life by Juliana Spahr, Stephanie Young
Cover of the book How to Suppress Women's Writing by Juliana Spahr, Stephanie Young
Cover of the book The Identity of Metaphor The Metaphor of Identity by Juliana Spahr, Stephanie Young
Cover of the book La Dama de las MÉDULAS by Juliana Spahr, Stephanie Young
Cover of the book Textual Mothers/Maternal Texts by Juliana Spahr, Stephanie Young
Cover of the book Femininity and Authorship in the Novels of Elizabeth von Arnim by Juliana Spahr, Stephanie Young
Cover of the book Mary Shelley and the Rights of the Child by Juliana Spahr, Stephanie Young
Cover of the book Seduction and Betrayal by Juliana Spahr, Stephanie Young
Cover of the book Spegnere le luci e guardare il mondo di tanto in tanto. Riflessioni sulla scrittura by Juliana Spahr, Stephanie Young
Cover of the book Dacia Maraini’s Narratives of Survival by Juliana Spahr, Stephanie Young
Cover of the book Diasporic Women's Writing of the Black Atlantic by Juliana Spahr, Stephanie Young
Cover of the book Anne Mérival by Juliana Spahr, Stephanie Young
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy