'A photograph without space and time'. Functions, Values and Messages of the 'generated-through software photograph' (GSP)

Nonfiction, Art & Architecture, General Art, Art Technique
Cover of the book 'A photograph without space and time'. Functions, Values and Messages of the 'generated-through software photograph' (GSP) by Yiannis Galanopoulos, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Yiannis Galanopoulos ISBN: 9783656034216
Publisher: GRIN Publishing Publication: October 21, 2011
Imprint: GRIN Publishing Language: English
Author: Yiannis Galanopoulos
ISBN: 9783656034216
Publisher: GRIN Publishing
Publication: October 21, 2011
Imprint: GRIN Publishing
Language: English

Research Paper (undergraduate) from the year 2011 in the subject Art - Photography and Film, Old Dominion University (Humanities), language: English, abstract: Garry Winogrand was one of the last masters of so called modern photography. A photojournalist and art photographer, using a Leica reflex camera loaded with a 28mm lens and a TriX 400 iso film, he rose to fame for his street pictures taken extensively across the United States, and across several foreign countries. Winogrand began his entanglement with photography in the 1950s. He created numerous images and produced five published monographs before his death in 1984. One of his famous quotes summarizes his perceptions about photography, as follows: 'A work of art is that thing whose form and content are organic to the tools and materials that made it. Still photography is a chemical, mechanical process. Literal description or the illusion of literal description is what the tools and materials of still photography do better than any other graphic medium. A still photograph is the illusion of a literal description of how a camera saw a piece of time and space. Understanding this, one can postulate the following theorem: Anything and all things are photographable. A photograph can only look like how the camera saw what was photographed. Or, how the camera saw the piece of time and space is responsible for how the photograph looks. ....I like to think of photographing as a two-way act of respect. Respect for the medium, by letting it do what it does best, describe. And respect for the subject, by describing as it is. A photograph must be responsible to both.' (Garry Winogrand, Austin Texas, 1974, photograpy quotes.com, 2011) Since then, a lot has changed. We are experiencing a shift in traditional ways of displaying and producing photographs. On the one hand, photographs are now displayed via projectors, digital frames, digital family albums, blogs, and massively on web sites. On the other hand, photographs are now produced with digital cameras, or are generated-through-software without the use of a camera (GSPs; Computer generated images and composites; digitally manipulated images). Winogrand's condensed statement concerns the function and the value of photography as a medium and as a process; the relationship between the photographer and his medium; and the photographic image as a product of representation. In other words, it concerns the relationship between artistic expression and image interpretation. [...]

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Research Paper (undergraduate) from the year 2011 in the subject Art - Photography and Film, Old Dominion University (Humanities), language: English, abstract: Garry Winogrand was one of the last masters of so called modern photography. A photojournalist and art photographer, using a Leica reflex camera loaded with a 28mm lens and a TriX 400 iso film, he rose to fame for his street pictures taken extensively across the United States, and across several foreign countries. Winogrand began his entanglement with photography in the 1950s. He created numerous images and produced five published monographs before his death in 1984. One of his famous quotes summarizes his perceptions about photography, as follows: 'A work of art is that thing whose form and content are organic to the tools and materials that made it. Still photography is a chemical, mechanical process. Literal description or the illusion of literal description is what the tools and materials of still photography do better than any other graphic medium. A still photograph is the illusion of a literal description of how a camera saw a piece of time and space. Understanding this, one can postulate the following theorem: Anything and all things are photographable. A photograph can only look like how the camera saw what was photographed. Or, how the camera saw the piece of time and space is responsible for how the photograph looks. ....I like to think of photographing as a two-way act of respect. Respect for the medium, by letting it do what it does best, describe. And respect for the subject, by describing as it is. A photograph must be responsible to both.' (Garry Winogrand, Austin Texas, 1974, photograpy quotes.com, 2011) Since then, a lot has changed. We are experiencing a shift in traditional ways of displaying and producing photographs. On the one hand, photographs are now displayed via projectors, digital frames, digital family albums, blogs, and massively on web sites. On the other hand, photographs are now produced with digital cameras, or are generated-through-software without the use of a camera (GSPs; Computer generated images and composites; digitally manipulated images). Winogrand's condensed statement concerns the function and the value of photography as a medium and as a process; the relationship between the photographer and his medium; and the photographic image as a product of representation. In other words, it concerns the relationship between artistic expression and image interpretation. [...]

More books from GRIN Publishing

Cover of the book Die Finanzverfassung der Bundesrepublik Deutschland by Yiannis Galanopoulos
Cover of the book Transfer of HRM policies by Yiannis Galanopoulos
Cover of the book Population growth and poverty by Yiannis Galanopoulos
Cover of the book Principles and Practices of Research Quality Assurance - Ethics by Yiannis Galanopoulos
Cover of the book An Analysis of Adequate OECD Transfer Pricing Methods for Intangible Property by Yiannis Galanopoulos
Cover of the book Auctions - Theory and practical application by Yiannis Galanopoulos
Cover of the book Steele's The Conscious Lovers and Goldsmith's She Stoops to Conquer. A question of sentiment. by Yiannis Galanopoulos
Cover of the book Somalia - A Model for Collapsed State by Yiannis Galanopoulos
Cover of the book The performance of the artist Marina Abramovi? in the MoMA - Museum of Modern Art, N.Y. as a mirror of zeitgeist by Yiannis Galanopoulos
Cover of the book Emerging Technology and Trends by Yiannis Galanopoulos
Cover of the book A study of Marketing and Online Marketing Tools which improve online success by Yiannis Galanopoulos
Cover of the book The Impact of the Euro and the EMU on Intra-Euro Area Trade, FDI, and the Euro Area Balance of Payments by Yiannis Galanopoulos
Cover of the book La revolución en el cine western europeo. Perspectiva de un fenómeno cinematográfico (1965-1975) by Yiannis Galanopoulos
Cover of the book Case Study Springbok by Yiannis Galanopoulos
Cover of the book The representation of London in tourist guidebooks by Yiannis Galanopoulos
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy