Wooden Os

Shakespeare’s Theatres and England’s Trees

Fiction & Literature, Literary Theory & Criticism, Drama History & Criticism, British
Cover of the book Wooden Os by Vin Nardizzi, University of Toronto Press, Scholarly Publishing Division
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Author: Vin Nardizzi ISBN: 9781442664180
Publisher: University of Toronto Press, Scholarly Publishing Division Publication: March 14, 2013
Imprint: Language: English
Author: Vin Nardizzi
ISBN: 9781442664180
Publisher: University of Toronto Press, Scholarly Publishing Division
Publication: March 14, 2013
Imprint:
Language: English

Wooden Os is a study of the presence of trees and wood in the drama of Shakespeare and his contemporaries – in plays set within forests, in character dialogue, and in props and theatre constructions. Vin Nardizzi connects these themes to the dependence, and surprising ecological impact, of London’s commercial theatre industry on England’s woodlands, the primary resource required to build all structures in early modern England.

Wooden Os situates the theatre within an environmental history that witnessed a perceived scarcity of wood and timber that drove up prices, as well as statute law prohibiting the devastation of English woodlands and urgent calls for the remedying of a resource shortage that was feared would result in eco-political collapse. By considering works including Friar Bacon and Friar Bungay, the revised Spanish Tragedy, and The Tempest, Nardizzi demonstrates how the “trees” within them were used in imaginative ways to mediate England’s resource crisis.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Wooden Os is a study of the presence of trees and wood in the drama of Shakespeare and his contemporaries – in plays set within forests, in character dialogue, and in props and theatre constructions. Vin Nardizzi connects these themes to the dependence, and surprising ecological impact, of London’s commercial theatre industry on England’s woodlands, the primary resource required to build all structures in early modern England.

Wooden Os situates the theatre within an environmental history that witnessed a perceived scarcity of wood and timber that drove up prices, as well as statute law prohibiting the devastation of English woodlands and urgent calls for the remedying of a resource shortage that was feared would result in eco-political collapse. By considering works including Friar Bacon and Friar Bungay, the revised Spanish Tragedy, and The Tempest, Nardizzi demonstrates how the “trees” within them were used in imaginative ways to mediate England’s resource crisis.

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