Women, travel and identity

Journeys by rail and sea, 1870–1940

Nonfiction, History, British
Cover of the book Women, travel and identity by Emma Robinson-Tomsett, Manchester University Press
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Author: Emma Robinson-Tomsett ISBN: 9781526112460
Publisher: Manchester University Press Publication: May 16, 2016
Imprint: Manchester University Press Language: English
Author: Emma Robinson-Tomsett
ISBN: 9781526112460
Publisher: Manchester University Press
Publication: May 16, 2016
Imprint: Manchester University Press
Language: English

The years between 1870 and 1940 are often considered a 'golden age' of travel: as larger and evermore sumptuous ships and trains were built, including the Orient Express, Blue Train, Lusitania and Normandie, journeying abroad became, and remains today, synonymous with chic, splendour and luxury. Utilising women's diaries and letters, art, advertising, fiction and etiquette guides, this book considers the journey's impact upon understandings of female identity, definitions of femininity, modernity, glamour, class, travel, tourism, leisure and sexual opportunity and threat during this period. It explores women's relationship with train and ship technology; cultural understandings of the journey; public expectations of women journeyers; how women journeyed in practice: their use of journey space, sociability with both Western and 'Other' non-Western journeyers, experience of love, sex and danger during the journey; and how women fashioned a journeyer identity which fused their existing domestic identities with new journey identities such as the journey chronicler. The journey is revealed to be an experience of sociability as much as mobility, dominated by ideas of respectability and reputation, class, power, vision and observation and home as well as the foreign and new.

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The years between 1870 and 1940 are often considered a 'golden age' of travel: as larger and evermore sumptuous ships and trains were built, including the Orient Express, Blue Train, Lusitania and Normandie, journeying abroad became, and remains today, synonymous with chic, splendour and luxury. Utilising women's diaries and letters, art, advertising, fiction and etiquette guides, this book considers the journey's impact upon understandings of female identity, definitions of femininity, modernity, glamour, class, travel, tourism, leisure and sexual opportunity and threat during this period. It explores women's relationship with train and ship technology; cultural understandings of the journey; public expectations of women journeyers; how women journeyed in practice: their use of journey space, sociability with both Western and 'Other' non-Western journeyers, experience of love, sex and danger during the journey; and how women fashioned a journeyer identity which fused their existing domestic identities with new journey identities such as the journey chronicler. The journey is revealed to be an experience of sociability as much as mobility, dominated by ideas of respectability and reputation, class, power, vision and observation and home as well as the foreign and new.

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