Women as Weapons of War

Iraq, Sex, and the Media

Nonfiction, Religion & Spirituality, Philosophy, Political, Social & Cultural Studies, Social Science, Gender Studies, Women&
Cover of the book Women as Weapons of War by Kelly Oliver, Columbia University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Kelly Oliver ISBN: 9780231512459
Publisher: Columbia University Press Publication: November 2, 2007
Imprint: Columbia University Press Language: English
Author: Kelly Oliver
ISBN: 9780231512459
Publisher: Columbia University Press
Publication: November 2, 2007
Imprint: Columbia University Press
Language: English

Ever since Eve tempted Adam with her apple, women have been regarded as a corrupting and destructive force. The very idea that women can be used as interrogation tools, as evidenced in the infamous Abu Ghraib torture photos, plays on age-old fears of women as sexually threatening weapons, and therefore the literal explosion of women onto the war scene should come as no surprise.

From the female soldiers involved in Abu Ghraib to Palestinian women suicide bombers, women and their bodies have become powerful weapons in the Afghanistan and Iraq wars. In Women as Weapons of War, Kelly Oliver reveals how the media and the administration frequently use metaphors of weaponry to describe women and female sexuality and forge a deliberate link between notions of vulnerability and images of violence. Focusing specifically on the U.S. campaigns in Afghanistan and Iraq, Oliver analyzes contemporary discourse surrounding women, sex, and gender and the use of women to justify America's decision to go to war. For example, the administration's call to liberate "women of cover," suggesting a woman's right to bare arms is a sign of freedom and progress.

Oliver also considers what forms of cultural meaning, or lack of meaning, could cause both the guiltlessness demonstrated by female soldiers at Abu Ghraib and the profound commitment to death made by suicide bombers. She examines the pleasure taken in violence and the passion for death exhibited by these women and what kind of contexts created them. In conclusion, Oliver diagnoses our cultural fascination with sex, violence, and death and its relationship with live news coverage and embedded reporting, which naturalizes horrific events and stymies critical reflection. This process, she argues, further compromises the borders between fantasy and reality, fueling a kind of paranoid patriotism that results in extreme forms of violence.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Ever since Eve tempted Adam with her apple, women have been regarded as a corrupting and destructive force. The very idea that women can be used as interrogation tools, as evidenced in the infamous Abu Ghraib torture photos, plays on age-old fears of women as sexually threatening weapons, and therefore the literal explosion of women onto the war scene should come as no surprise.

From the female soldiers involved in Abu Ghraib to Palestinian women suicide bombers, women and their bodies have become powerful weapons in the Afghanistan and Iraq wars. In Women as Weapons of War, Kelly Oliver reveals how the media and the administration frequently use metaphors of weaponry to describe women and female sexuality and forge a deliberate link between notions of vulnerability and images of violence. Focusing specifically on the U.S. campaigns in Afghanistan and Iraq, Oliver analyzes contemporary discourse surrounding women, sex, and gender and the use of women to justify America's decision to go to war. For example, the administration's call to liberate "women of cover," suggesting a woman's right to bare arms is a sign of freedom and progress.

Oliver also considers what forms of cultural meaning, or lack of meaning, could cause both the guiltlessness demonstrated by female soldiers at Abu Ghraib and the profound commitment to death made by suicide bombers. She examines the pleasure taken in violence and the passion for death exhibited by these women and what kind of contexts created them. In conclusion, Oliver diagnoses our cultural fascination with sex, violence, and death and its relationship with live news coverage and embedded reporting, which naturalizes horrific events and stymies critical reflection. This process, she argues, further compromises the borders between fantasy and reality, fueling a kind of paranoid patriotism that results in extreme forms of violence.

More books from Columbia University Press

Cover of the book Militarizing the Nation by Kelly Oliver
Cover of the book Prison Movies by Kelly Oliver
Cover of the book Force of God by Kelly Oliver
Cover of the book Parable and Politics in Early Islamic History by Kelly Oliver
Cover of the book Tibetan Buddhists in the Making of Modern China by Kelly Oliver
Cover of the book Underground U.S.A. by Kelly Oliver
Cover of the book Food, Medicine, and the Quest for Good Health by Kelly Oliver
Cover of the book Friends and Other Strangers by Kelly Oliver
Cover of the book Hubert Harrison by Kelly Oliver
Cover of the book Between a Man and a Woman? by Kelly Oliver
Cover of the book Spirituality and Hospice Social Work by Kelly Oliver
Cover of the book The Heretic in Darwin’s Court by Kelly Oliver
Cover of the book Science and Social Work by Kelly Oliver
Cover of the book Lhasa by Kelly Oliver
Cover of the book Voices of Negritude in Modernist Print by Kelly Oliver
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy