Wittgenstein at the Movies

Cinematic Investigations

Nonfiction, Religion & Spirituality, Philosophy, Aesthetics, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Wittgenstein at the Movies by Steven Burns, Andrew Lugg, William Lyons, Michael O'Pray, William C. Wees, Daniel Steuer, Research Fellow at the Centre for Applied Philosophy, Politics and Ethics, University of Brighton, Lexington Books
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Author: Steven Burns, Andrew Lugg, William Lyons, Michael O'Pray, William C. Wees, Daniel Steuer, Research Fellow at the Centre for Applied Philosophy, Politics and Ethics, University of Brighton ISBN: 9780739148877
Publisher: Lexington Books Publication: March 24, 2011
Imprint: Lexington Books Language: English
Author: Steven Burns, Andrew Lugg, William Lyons, Michael O'Pray, William C. Wees, Daniel Steuer, Research Fellow at the Centre for Applied Philosophy, Politics and Ethics, University of Brighton
ISBN: 9780739148877
Publisher: Lexington Books
Publication: March 24, 2011
Imprint: Lexington Books
Language: English

Ludwig Wittgenstein loved movies, and based on his remarks on watching them, there is a strong connection between his experience of watching films and his thoughts on aesthetics. Furthermore, however, Wittgenstein himself has been invoked in recent cinema. Wittgenstein at the Movies is centered on in-depth explorations of two intriguing experimental films on Wittgenstein: Derek Jarman's Wittgenstein and PZter ForgOcs' Wittgenstein Tractatus. The featured essays look at cinematic interpretations of Wittgenstein's life and philosophy in a manner bound to provoke the lively interest of Wittgenstein scholars, film theorists, and students of film aesthetics. As well, the book engages a broader audience concerned with philosophical issues about film and Wittgenstein's cultural significance, with the world of fin-de-si_cle Vienna, of Cambridge in the first half of the twentieth century, of artistic modernism.

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Ludwig Wittgenstein loved movies, and based on his remarks on watching them, there is a strong connection between his experience of watching films and his thoughts on aesthetics. Furthermore, however, Wittgenstein himself has been invoked in recent cinema. Wittgenstein at the Movies is centered on in-depth explorations of two intriguing experimental films on Wittgenstein: Derek Jarman's Wittgenstein and PZter ForgOcs' Wittgenstein Tractatus. The featured essays look at cinematic interpretations of Wittgenstein's life and philosophy in a manner bound to provoke the lively interest of Wittgenstein scholars, film theorists, and students of film aesthetics. As well, the book engages a broader audience concerned with philosophical issues about film and Wittgenstein's cultural significance, with the world of fin-de-si_cle Vienna, of Cambridge in the first half of the twentieth century, of artistic modernism.

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