William Henry Hunt: 80 Watercolours and Drawings

Nonfiction, Home & Garden, Crafts & Hobbies, Art Technique, Drawing, Art & Architecture, General Art
Cover of the book William Henry Hunt: 80 Watercolours and Drawings by Narim Bender, Osmora Inc.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Narim Bender ISBN: 9782765913061
Publisher: Osmora Inc. Publication: April 14, 2015
Imprint: Osmora Inc. Language: English
Author: Narim Bender
ISBN: 9782765913061
Publisher: Osmora Inc.
Publication: April 14, 2015
Imprint: Osmora Inc.
Language: English

William Henry Hunt (1790 – 1864), was an English watercolour painter and one of the creators of the English school of watercolour painting. His subjects, especially those of his later life, are extremely simple; but, by the delicacy, humour and fine power of their treatment, they rank second to works of the highest art only. Considered technically, his works exhibit all the resources of the watercolour painter's craft, from the purest transparent tinting to the boldest use of gouache, rough paper and scraping for texture. His sense of color is perhaps as true as that of any English artist. He was, says John Ruskin, all in all, the finest ever painter of still life.

He was sometimes referred to as “Birds’ Nest Hunt” or “Hedgerow Hunt”. Although primarily a watercolorist, Hunt’s works influenced many Victorian painters, as well as watercolorists.

Hunt was a resident of Marchmont Street, London. Because of a deformity in his legs which made it difficult for him to walk, Hunt’s parents decided on an artistic career for him, and placed him with John Varley. In 1807, he began to exhibit oils at the Royal Academy; in 1808 he entered the Royal Academy Schools. His early work is mostly landscapes, rustic genre or architectural studies, much influenced by Varley. About 1827, he began to paint fruit and flowers and candlelight scenes. His technique also changed. Using body-colour, Hunt developed an individual method of hatching and stippling over a white ground. These pretty, enamel-like watercolors became enormously popular, were admired by Ruskin and copied by many imitators.

Hunt became connected with the Society of Painters in Water Colours at its beginning, and was elected an associate in 1824 and a full member in 1827. Until the year of his death, he was one of the most prolific contributors to the Society's exhibitions. Many years of Hunt's uneventful but industrious life were spent at Hastings.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

William Henry Hunt (1790 – 1864), was an English watercolour painter and one of the creators of the English school of watercolour painting. His subjects, especially those of his later life, are extremely simple; but, by the delicacy, humour and fine power of their treatment, they rank second to works of the highest art only. Considered technically, his works exhibit all the resources of the watercolour painter's craft, from the purest transparent tinting to the boldest use of gouache, rough paper and scraping for texture. His sense of color is perhaps as true as that of any English artist. He was, says John Ruskin, all in all, the finest ever painter of still life.

He was sometimes referred to as “Birds’ Nest Hunt” or “Hedgerow Hunt”. Although primarily a watercolorist, Hunt’s works influenced many Victorian painters, as well as watercolorists.

Hunt was a resident of Marchmont Street, London. Because of a deformity in his legs which made it difficult for him to walk, Hunt’s parents decided on an artistic career for him, and placed him with John Varley. In 1807, he began to exhibit oils at the Royal Academy; in 1808 he entered the Royal Academy Schools. His early work is mostly landscapes, rustic genre or architectural studies, much influenced by Varley. About 1827, he began to paint fruit and flowers and candlelight scenes. His technique also changed. Using body-colour, Hunt developed an individual method of hatching and stippling over a white ground. These pretty, enamel-like watercolors became enormously popular, were admired by Ruskin and copied by many imitators.

Hunt became connected with the Society of Painters in Water Colours at its beginning, and was elected an associate in 1824 and a full member in 1827. Until the year of his death, he was one of the most prolific contributors to the Society's exhibitions. Many years of Hunt's uneventful but industrious life were spent at Hastings.

More books from Osmora Inc.

Cover of the book Francisco Goya: Masterpieces in Colour by Narim Bender
Cover of the book Temps effilés by Narim Bender
Cover of the book William Hogarth: 80 Prints and Drawings by Narim Bender
Cover of the book MI ESPOSA LA NINFÓMANA by Narim Bender
Cover of the book Krishna Chalisa In English Rhyme by Narim Bender
Cover of the book Renoir: Paintings (Colour Plates) by Narim Bender
Cover of the book Rekindle Your Love by Narim Bender
Cover of the book Diseñando el futuro by Narim Bender
Cover of the book Meditation for Beginners by Narim Bender
Cover of the book Hokusai: 140 Prints by Narim Bender
Cover of the book ADVENTURERS OF THE FAR NORTH by Narim Bender
Cover of the book Database Management Systems by Narim Bender
Cover of the book How to Stop Dog Aggression by Narim Bender
Cover of the book Aitareya Upanishad by Narim Bender
Cover of the book 15 Dessert Recipes by Narim Bender
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy