Why We Fought

America's Wars in Film and History

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts, History, Military, United States
Cover of the book Why We Fought by Peter C. Rollins, John E. O'Connor, The University Press of Kentucky
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Peter C. Rollins, John E. O'Connor ISBN: 9780813138749
Publisher: The University Press of Kentucky Publication: July 25, 2008
Imprint: The University Press of Kentucky Language: English
Author: Peter C. Rollins, John E. O'Connor
ISBN: 9780813138749
Publisher: The University Press of Kentucky
Publication: July 25, 2008
Imprint: The University Press of Kentucky
Language: English

Film moves audiences like no other medium; both documentaries and feature films are especially remarkable for their ability to influence viewers. Best-selling author James Brady remarked that he joined the Marines to fight in Korea after seeing a John Wayne film, demonstrating how a motion picture can change the course of a human life -- in this case, launching the career of a major historian and novelist. In Why We Fought: America's Wars in Film and History, editors Peter C. Rollins and John E. O'Connor explore the complexities of war films, describing the ways in which such productions interpret history and illuminate American values, politics, and culture. This comprehensive volume covers representations of war in film from the American Revolution in the 18th century to today's global War on Terror. The contributors examine iconic battle films such as The Big Parade (1925), All Quiet on the Western Front (1930), From Here to Eternity (1953), and Platoon (1986), considering them as historical artifacts. The authors explain how film shapes our cultural understanding of military conflicts, analyzing how war is depicted on television programs, through news media outlets, and in fictional and factual texts. With several essays examining the events of September 11, 2001, and their aftermath, the book has a timely relevance concerning the country's current military conflicts. Jeff Chown examines controversial documentary films about the Iraq War, while Stacy Takacs considers Jessica Lynch and American gender issues in a post-9/11 world, and James Kendrick explores the political messages and aesthetic implications of United 93. From filmmakers who reshaped our understanding of the history of the Alamo, to Ken Burns's popular series on the Civil War, to the uses of film and media in understanding the Vietnam conflict, Why We Fought offers a balanced outlook -- one of the book's editors was a combat officer in the United States Marines, the other an antiwar activist -- on the conflicts that have become touchstones of American history. As Air Force veteran and film scholar Robert Fyne notes in the foreword, American war films mirror a nation's past and offer tangible evidence of the ways millions of Americans have become devoted, as was General MacArthur, to "Duty, honor, and country." Why We Fought chronicles how, for more than half a century, war films have shaped our nation's consciousness.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Film moves audiences like no other medium; both documentaries and feature films are especially remarkable for their ability to influence viewers. Best-selling author James Brady remarked that he joined the Marines to fight in Korea after seeing a John Wayne film, demonstrating how a motion picture can change the course of a human life -- in this case, launching the career of a major historian and novelist. In Why We Fought: America's Wars in Film and History, editors Peter C. Rollins and John E. O'Connor explore the complexities of war films, describing the ways in which such productions interpret history and illuminate American values, politics, and culture. This comprehensive volume covers representations of war in film from the American Revolution in the 18th century to today's global War on Terror. The contributors examine iconic battle films such as The Big Parade (1925), All Quiet on the Western Front (1930), From Here to Eternity (1953), and Platoon (1986), considering them as historical artifacts. The authors explain how film shapes our cultural understanding of military conflicts, analyzing how war is depicted on television programs, through news media outlets, and in fictional and factual texts. With several essays examining the events of September 11, 2001, and their aftermath, the book has a timely relevance concerning the country's current military conflicts. Jeff Chown examines controversial documentary films about the Iraq War, while Stacy Takacs considers Jessica Lynch and American gender issues in a post-9/11 world, and James Kendrick explores the political messages and aesthetic implications of United 93. From filmmakers who reshaped our understanding of the history of the Alamo, to Ken Burns's popular series on the Civil War, to the uses of film and media in understanding the Vietnam conflict, Why We Fought offers a balanced outlook -- one of the book's editors was a combat officer in the United States Marines, the other an antiwar activist -- on the conflicts that have become touchstones of American history. As Air Force veteran and film scholar Robert Fyne notes in the foreword, American war films mirror a nation's past and offer tangible evidence of the ways millions of Americans have become devoted, as was General MacArthur, to "Duty, honor, and country." Why We Fought chronicles how, for more than half a century, war films have shaped our nation's consciousness.

More books from The University Press of Kentucky

Cover of the book Arab and Jewish Women in Kentucky by Peter C. Rollins, John E. O'Connor
Cover of the book The Air Force Way of War by Peter C. Rollins, John E. O'Connor
Cover of the book Kentucky Place Names by Peter C. Rollins, John E. O'Connor
Cover of the book Lincoln on Trial by Peter C. Rollins, John E. O'Connor
Cover of the book The Sins of the Father by Peter C. Rollins, John E. O'Connor
Cover of the book The Historic Kentucky Kitchen by Peter C. Rollins, John E. O'Connor
Cover of the book Michael Curtiz by Peter C. Rollins, John E. O'Connor
Cover of the book African American Fraternities and Sororities by Peter C. Rollins, John E. O'Connor
Cover of the book Southern Political Party Activists by Peter C. Rollins, John E. O'Connor
Cover of the book Stoner's Boy by Peter C. Rollins, John E. O'Connor
Cover of the book George Keats of Kentucky by Peter C. Rollins, John E. O'Connor
Cover of the book The Land We Dreamed by Peter C. Rollins, John E. O'Connor
Cover of the book The Philosophy of J.J. Abrams by Peter C. Rollins, John E. O'Connor
Cover of the book Crane by Peter C. Rollins, John E. O'Connor
Cover of the book Roy Wilkins by Peter C. Rollins, John E. O'Connor
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy