White Male Nostalgia in Contemporary North American Literature

Nonfiction, Social & Cultural Studies, Social Science, Gender Studies, Fiction & Literature, Literary Theory & Criticism
Cover of the book White Male Nostalgia in Contemporary North American Literature by Tim Engles, Springer International Publishing
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Author: Tim Engles ISBN: 9783319904603
Publisher: Springer International Publishing Publication: July 13, 2018
Imprint: Palgrave Macmillan Language: English
Author: Tim Engles
ISBN: 9783319904603
Publisher: Springer International Publishing
Publication: July 13, 2018
Imprint: Palgrave Macmillan
Language: English

White Male Nostalgia in Contemporary North American Literature charts the late twentieth-century development of reactionary emotions commonly felt by resentful, yet often goodhearted white men. Examining an eclectic array of literary case studies in light of recent work in critical whiteness and masculinity studies, history, geography, philosophy and theology, Tim Engles delineates five preliminary forms of white male nostalgia—as dramatized in novels by Sloan Wilson, Richard Wright, Carol Shields, Don DeLillo, Louis Begley and Margaret Atwood—demonstrating how literary fiction can help us understand the inner workings of deluded dominance. These authors write from identities outside the defensive domain of normalized white masculinity, demonstrating via extended interior dramas that although nostalgia is primarily thought of as an emotion felt by individuals, it also works to shore up entrenched collective power.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

White Male Nostalgia in Contemporary North American Literature charts the late twentieth-century development of reactionary emotions commonly felt by resentful, yet often goodhearted white men. Examining an eclectic array of literary case studies in light of recent work in critical whiteness and masculinity studies, history, geography, philosophy and theology, Tim Engles delineates five preliminary forms of white male nostalgia—as dramatized in novels by Sloan Wilson, Richard Wright, Carol Shields, Don DeLillo, Louis Begley and Margaret Atwood—demonstrating how literary fiction can help us understand the inner workings of deluded dominance. These authors write from identities outside the defensive domain of normalized white masculinity, demonstrating via extended interior dramas that although nostalgia is primarily thought of as an emotion felt by individuals, it also works to shore up entrenched collective power.

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