Wagner's "Tristan Und Isolde"; An Essay on the Wagnerian Drama

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book Wagner's "Tristan Und Isolde"; An Essay on the Wagnerian Drama by George Ainslie Hight, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: George Ainslie Hight ISBN: 9781465539663
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: George Ainslie Hight
ISBN: 9781465539663
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English

The following pages contain little if anything that is new, or that would be likely to interest those who are already at home in Wagner's work. They are intended for those who are beginning the study of Wagner. In spite of many books, I know of no Wagner literature in English to which a beginner can turn who wishes to know what Wagner was aiming at, in what respect his works differ from those of the operatic composers who preceded him. Some sort of Introduction appears to me a necessary preliminary to the study of Wagner, not because his works are artificial or unnatural, but because our minds have become perverted by the highly artificial products of the Italian and French opera, so that a work of Wagner at first appears to us very much as Paradise Lost or a tragedy of Sophokles would appear to a person who had never read anything but light French novels. He must entirely change the attitude of his mind, and the change, although it be a return to nature and truth, is not easy to make. Those who wish fully to understand Wagner's aims must read his own published works. I have not attempted to give his views in a condensed form, being convinced that any such attempt could only end in failure. Whenever it has been made, the result has been a caricature; you cannot separate a man's work from his personality. All that I could do was to endeavour to lay some of the problems involved, as I conceive them, before the reader in my own words. [Greek: Theohus d' ephame eleountas aemas sugchoreutas te kahi choraegohus aemin dedo¯ke'nai to'n te Ap'ollo¯a kahi Mousas kahi dhae kahi tri'ton ephamen, ei' memnaemetha, Dionuson

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The following pages contain little if anything that is new, or that would be likely to interest those who are already at home in Wagner's work. They are intended for those who are beginning the study of Wagner. In spite of many books, I know of no Wagner literature in English to which a beginner can turn who wishes to know what Wagner was aiming at, in what respect his works differ from those of the operatic composers who preceded him. Some sort of Introduction appears to me a necessary preliminary to the study of Wagner, not because his works are artificial or unnatural, but because our minds have become perverted by the highly artificial products of the Italian and French opera, so that a work of Wagner at first appears to us very much as Paradise Lost or a tragedy of Sophokles would appear to a person who had never read anything but light French novels. He must entirely change the attitude of his mind, and the change, although it be a return to nature and truth, is not easy to make. Those who wish fully to understand Wagner's aims must read his own published works. I have not attempted to give his views in a condensed form, being convinced that any such attempt could only end in failure. Whenever it has been made, the result has been a caricature; you cannot separate a man's work from his personality. All that I could do was to endeavour to lay some of the problems involved, as I conceive them, before the reader in my own words. [Greek: Theohus d' ephame eleountas aemas sugchoreutas te kahi choraegohus aemin dedo¯ke'nai to'n te Ap'ollo¯a kahi Mousas kahi dhae kahi tri'ton ephamen, ei' memnaemetha, Dionuson

More books from Library of Alexandria

Cover of the book Myths and Folk-tales of the Russians, Western Slavs, and Magyars by George Ainslie Hight
Cover of the book Historia da Grecia by George Ainslie Hight
Cover of the book The Terror by Night by George Ainslie Hight
Cover of the book The Banks of Wye: A Poem by George Ainslie Hight
Cover of the book William Shakespeare: Attorney at Law and Solicitor in Chancery by George Ainslie Hight
Cover of the book The Complete Corpus of Anglo-Saxon Poetry by George Ainslie Hight
Cover of the book The Girl Scouts at Bellaire; Or Maid Mary's Awakening by George Ainslie Hight
Cover of the book A Pilgrim Maid: A Story of Plymouth Colony in 1620 by George Ainslie Hight
Cover of the book Under Cover by George Ainslie Hight
Cover of the book The Gateless Gate by George Ainslie Hight
Cover of the book The Double Traitor by George Ainslie Hight
Cover of the book The Rosetta Stone by George Ainslie Hight
Cover of the book The Letters of Queen Victoria: A Selection From Her Majesty's Correspondence Between the Years 1837 and 1861 (Complete) by George Ainslie Hight
Cover of the book The New World of Islam by George Ainslie Hight
Cover of the book Hogarth's Works with Life and Anecdotal Descriptions of his Pictures (Complete) by George Ainslie Hight
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy