Voyages of the Self

Pairs, Parallels, and Patterns in American Art and Literature

Nonfiction, Art & Architecture, General Art, Art History, American
Cover of the book Voyages of the Self by Barbara Novak, Oxford University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Barbara Novak ISBN: 9780190294267
Publisher: Oxford University Press Publication: January 1, 2007
Imprint: Oxford University Press Language: English
Author: Barbara Novak
ISBN: 9780190294267
Publisher: Oxford University Press
Publication: January 1, 2007
Imprint: Oxford University Press
Language: English

Barbara Novak is one of America's premier art historians, the author of the seminal books American Painting of the Nineteenth Century and Nature and Culture, the latter of which was named one of the Ten Best Books of the Year by The New York Times and was nominated for a National Book Critics Circle Award. Now, with Voyages of the Self, this esteemed critic completes the trilogy begun with the two earlier works, offering once again an exhilarating exploration of American art and culture. In this book, Novak explores several inspired pairings of key writers and painters, drawing insightful parallels between such masters as John Singleton Copley and Jonathan Edwards, Winslow Homer and William James, Frederic Edwin Church and Walt Whitman, and Jackson Pollock and Charles Olson. Through these and other groupings, Novak tracks the varied meanings of the self in America, in which the most salient characteristics of each artist or writer is shown to draw from--and in turn influence--the larger map of American life. Two major threads weaving through the book are the American preoccupation with the "object" and our continuing return to pragmatism. Novak notes for instance how Copley's art mirrors the puritan denial of self found in Jonathan Edwards and how as colonial scientists they share an interest in sensation and observation. She sees Winslow Homer and William James as practitioners of a pragmatic self grounded in an immediate experience that looks for concrete results. Through such fruitful comparisons--whether between Copley and Edwards, or Lane and Emerson, or Ryder and Dickinson--Novak sheds unmatched light on our nation's artistic heritage. Wonderfully illustrated with dozens of black-and-white pictures and sixteen full-color plates, here is a stunning work that yields a wealth of insight into American art and culture--and concludes Novak's landmark trilogy.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Barbara Novak is one of America's premier art historians, the author of the seminal books American Painting of the Nineteenth Century and Nature and Culture, the latter of which was named one of the Ten Best Books of the Year by The New York Times and was nominated for a National Book Critics Circle Award. Now, with Voyages of the Self, this esteemed critic completes the trilogy begun with the two earlier works, offering once again an exhilarating exploration of American art and culture. In this book, Novak explores several inspired pairings of key writers and painters, drawing insightful parallels between such masters as John Singleton Copley and Jonathan Edwards, Winslow Homer and William James, Frederic Edwin Church and Walt Whitman, and Jackson Pollock and Charles Olson. Through these and other groupings, Novak tracks the varied meanings of the self in America, in which the most salient characteristics of each artist or writer is shown to draw from--and in turn influence--the larger map of American life. Two major threads weaving through the book are the American preoccupation with the "object" and our continuing return to pragmatism. Novak notes for instance how Copley's art mirrors the puritan denial of self found in Jonathan Edwards and how as colonial scientists they share an interest in sensation and observation. She sees Winslow Homer and William James as practitioners of a pragmatic self grounded in an immediate experience that looks for concrete results. Through such fruitful comparisons--whether between Copley and Edwards, or Lane and Emerson, or Ryder and Dickinson--Novak sheds unmatched light on our nation's artistic heritage. Wonderfully illustrated with dozens of black-and-white pictures and sixteen full-color plates, here is a stunning work that yields a wealth of insight into American art and culture--and concludes Novak's landmark trilogy.

More books from Oxford University Press

Cover of the book The Tyrant-Slayers of Ancient Athens by Barbara Novak
Cover of the book What Will Work by Barbara Novak
Cover of the book Audible States by Barbara Novak
Cover of the book The Law Market by Barbara Novak
Cover of the book Intellectual Disability by Barbara Novak
Cover of the book Out in the Rural by Barbara Novak
Cover of the book The American Nonvoter by Barbara Novak
Cover of the book John Wesley by Barbara Novak
Cover of the book The Legacy of Fischer Black by Barbara Novak
Cover of the book Object Lessons by Barbara Novak
Cover of the book The Guide to Interpersonal Psychotherapy by Barbara Novak
Cover of the book Dinosaurs - With Audio Level 3 Factfiles Oxford Bookworms Library by Barbara Novak
Cover of the book The Double Game by Barbara Novak
Cover of the book Backpacking with the Saints by Barbara Novak
Cover of the book With Passionate Voice by Barbara Novak
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy