Visual Arts Practice and Affect

Place, Materiality and Embodied Knowing

Nonfiction, Social & Cultural Studies, Social Science, Human Geography, Art & Architecture, General Art
Cover of the book Visual Arts Practice and Affect by , Rowman & Littlefield International
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Author: ISBN: 9781783487387
Publisher: Rowman & Littlefield International Publication: September 30, 2016
Imprint: Rowman & Littlefield International Language: English
Author:
ISBN: 9781783487387
Publisher: Rowman & Littlefield International
Publication: September 30, 2016
Imprint: Rowman & Littlefield International
Language: English

Visual Arts Practice and Affect brings together a group of artist scholars to explore how visual arts can offer unique insights into the understanding of place, memory and affect. Each contributor highlights the crucial role the creative arts play in envisaging new perspectives on the making of meaning, ones that are grounded in the practicalities, materialities and embodied knowing of artistic practice. Art offers other ways of seeing, thinking, understanding the world. It can be very messy, very challenging, but also moving, exquisite, astounding. The book opens a space for experiential appreciation by offering a writing that allows both the writer and the reader to consider those sorts of embodied sensibilities

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Visual Arts Practice and Affect brings together a group of artist scholars to explore how visual arts can offer unique insights into the understanding of place, memory and affect. Each contributor highlights the crucial role the creative arts play in envisaging new perspectives on the making of meaning, ones that are grounded in the practicalities, materialities and embodied knowing of artistic practice. Art offers other ways of seeing, thinking, understanding the world. It can be very messy, very challenging, but also moving, exquisite, astounding. The book opens a space for experiential appreciation by offering a writing that allows both the writer and the reader to consider those sorts of embodied sensibilities

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