Visits from the Seventh

Fiction & Literature, Poetry, American, Nonfiction, Religion & Spirituality, New Age
Cover of the book Visits from the Seventh by Sarah Arvio, Knopf Doubleday Publishing Group
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Author: Sarah Arvio ISBN: 9780307548764
Publisher: Knopf Doubleday Publishing Group Publication: August 28, 2013
Imprint: Knopf Language: English
Author: Sarah Arvio
ISBN: 9780307548764
Publisher: Knopf Doubleday Publishing Group
Publication: August 28, 2013
Imprint: Knopf
Language: English

Visits from the Seventh is a highly original debut. Arvio's wry, uncanny poems take the form of conversations between a woman and a throng on invisible presences--visitors, as she calls them--who counsel, challenge, cajole and comfort her. Together they murmur about destiny, the moon, a walk on Park Avenue, sex, ambition, dreams.

"Poets," writes Richard Howard, "find remarkable ways to talk to themselves, to divide and triumph, to split the speech-atom--'the journal of my other self,' Rilke called it. For women poets, (Christina Rossetti, say, or Virginia Woolf) voices from 'outside' are minatory; for men they are merely the Muse. Arvio has listened hard and heedfully to these hauntings of hers, certainly the most 'convincing' visitations since Merrill's Ouija-board transcriptions, and has arranged her overhearing in the readiest manner for her own listeners: the careful, shapely stanzas; the clear conundrum of spirit possession, which is Arvio's poetic incarnation. The whole series is an articulation of what we used to call 'the inner life': one woman's passionate questioning of her sources, and their equally passionate (if often derisive) answers. She has forged her own dialogue of the dead, somehow managing to be funny and erotic at once, pursued and in possession. I love hearing her persuasive voices; they are the woman herself."

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Visits from the Seventh is a highly original debut. Arvio's wry, uncanny poems take the form of conversations between a woman and a throng on invisible presences--visitors, as she calls them--who counsel, challenge, cajole and comfort her. Together they murmur about destiny, the moon, a walk on Park Avenue, sex, ambition, dreams.

"Poets," writes Richard Howard, "find remarkable ways to talk to themselves, to divide and triumph, to split the speech-atom--'the journal of my other self,' Rilke called it. For women poets, (Christina Rossetti, say, or Virginia Woolf) voices from 'outside' are minatory; for men they are merely the Muse. Arvio has listened hard and heedfully to these hauntings of hers, certainly the most 'convincing' visitations since Merrill's Ouija-board transcriptions, and has arranged her overhearing in the readiest manner for her own listeners: the careful, shapely stanzas; the clear conundrum of spirit possession, which is Arvio's poetic incarnation. The whole series is an articulation of what we used to call 'the inner life': one woman's passionate questioning of her sources, and their equally passionate (if often derisive) answers. She has forged her own dialogue of the dead, somehow managing to be funny and erotic at once, pursued and in possession. I love hearing her persuasive voices; they are the woman herself."

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