Underground U.S.A.

Filmmaking Beyond the Hollywood Canon

Nonfiction, Entertainment, Performing Arts, Film
Cover of the book Underground U.S.A. by , Columbia University Press
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Author: ISBN: 9780231850025
Publisher: Columbia University Press Publication: March 26, 2003
Imprint: WallFlower Press Language: English
Author:
ISBN: 9780231850025
Publisher: Columbia University Press
Publication: March 26, 2003
Imprint: WallFlower Press
Language: English

Whether defined by the carnivalesque excesses of Troma studios (The Toxic Avenger), the arthouse erotica of Radley Metzger and Doris Wishman, or the narrative experimentations of Abel Ferrara, Melvin Van Peebles, Jack Smith, or Harmony Korine, underground cinema has achieved an important position within American film culture. Often defined as "cult" and "exploitation" or "alternative" and "independent," the American underground retains separate strategies of production and exhibition from the cinematic mainstream, while its sexual and cinematic representations differ from the traditionally conservative structures of the Hollywood system. Underground U.S.A. offers a fascinating overview of this area of maverick moviemaking by considering the links between the experimental and exploitative traditions of the American underground.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Whether defined by the carnivalesque excesses of Troma studios (The Toxic Avenger), the arthouse erotica of Radley Metzger and Doris Wishman, or the narrative experimentations of Abel Ferrara, Melvin Van Peebles, Jack Smith, or Harmony Korine, underground cinema has achieved an important position within American film culture. Often defined as "cult" and "exploitation" or "alternative" and "independent," the American underground retains separate strategies of production and exhibition from the cinematic mainstream, while its sexual and cinematic representations differ from the traditionally conservative structures of the Hollywood system. Underground U.S.A. offers a fascinating overview of this area of maverick moviemaking by considering the links between the experimental and exploitative traditions of the American underground.

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