Translating Modernism

Fitzgerald and Hemingway

Fiction & Literature, Literary Theory & Criticism
Cover of the book Translating Modernism by Ronald Berman, University of Alabama Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ronald Berman ISBN: 9780817381554
Publisher: University of Alabama Press Publication: July 26, 2010
Imprint: University Alabama Press Language: English
Author: Ronald Berman
ISBN: 9780817381554
Publisher: University of Alabama Press
Publication: July 26, 2010
Imprint: University Alabama Press
Language: English

In Translating Modernism Ronald Berman continues his career-long study of the ways that intellectual and philosophical ideas informed and transformed the work of America’s major modernist writers.

Here Berman shows how Fitzgerald and Hemingway wrestled with very specific intellectual, artistic, and psychological influences, influences particular to each writer, particular to the time in which they wrote, and which left distinctive marks on their entire oeuvres. Specifically, Berman addresses the idea of "translating" or "translation"—for Fitzgerald the translation of ideas from Freud, Dewey, and James, among others; and for Hemingway the translation of visual modernism and composition, via Cézanne.

Though each writer had distinct interests and different intellectual problems to wrestle with, as Berman demonstrates, both had to wrestle with transmuting some outside influence and making it their own.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In Translating Modernism Ronald Berman continues his career-long study of the ways that intellectual and philosophical ideas informed and transformed the work of America’s major modernist writers.

Here Berman shows how Fitzgerald and Hemingway wrestled with very specific intellectual, artistic, and psychological influences, influences particular to each writer, particular to the time in which they wrote, and which left distinctive marks on their entire oeuvres. Specifically, Berman addresses the idea of "translating" or "translation"—for Fitzgerald the translation of ideas from Freud, Dewey, and James, among others; and for Hemingway the translation of visual modernism and composition, via Cézanne.

Though each writer had distinct interests and different intellectual problems to wrestle with, as Berman demonstrates, both had to wrestle with transmuting some outside influence and making it their own.

More books from University of Alabama Press

Cover of the book Fields of Vision by Ronald Berman
Cover of the book Plague Among the Magnolias by Ronald Berman
Cover of the book The Rock-Art of Eastern North America by Ronald Berman
Cover of the book Sparrow and the Hawk by Ronald Berman
Cover of the book Hunt the Devil by Ronald Berman
Cover of the book Bombast And Broadsides by Ronald Berman
Cover of the book Contesting the Past, Reconstructing the Nation by Ronald Berman
Cover of the book F. Scott Fitzgerald and the American Scene by Ronald Berman
Cover of the book Filibusters and Expansionists by Ronald Berman
Cover of the book The Modernist Nation by Ronald Berman
Cover of the book First Books by Ronald Berman
Cover of the book Subfloor Pits and the Archaeology of Slavery in Colonial Virginia by Ronald Berman
Cover of the book The Text and Beyond by Ronald Berman
Cover of the book Race and Displacement by Ronald Berman
Cover of the book Thirteen Alabama Ghosts and Jeffrey by Ronald Berman
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy