Tragedy at Beechcroft

Fiction & Literature, Classics, Historical
Cover of the book Tragedy at Beechcroft by A Fielding, WDS Publishing
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Author: A Fielding ISBN: 1230000188428
Publisher: WDS Publishing Publication: October 5, 2013
Imprint: Language: English
Author: A Fielding
ISBN: 1230000188428
Publisher: WDS Publishing
Publication: October 5, 2013
Imprint:
Language: English

VICTOR GOODENOUGH was shown at once into the studio where Santley was

painting the Moncrieff twins. He was a tall, broad-shouldered man in the

middle thirties, who looked as though he would do anything efficiently to

which he set his hand-a well-kept, muscular hand, browner even than his

face, and with the palms calloused by the swinging of golf clubs. He was

a "plus" man. For the rest, he was handsome, with regular features of a

rather wooden type, lit up now and then by a pleasant smile.

 

The artist was about his age, but belonged to another world. Nervous,

diffident, shy, the youngest R.A. was rarely to be met anywhere but at

his studio out here by Putney Bridge, where he lived as well as worked.

He had a scholarly face, with deep-set, brooding eyes, that looked as

though they would go through life seeking for something just beyond their

vision.

 

"Good sitters?" Goodenough asked, waving a hand at the two children just

now squirming a welcome to him.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

VICTOR GOODENOUGH was shown at once into the studio where Santley was

painting the Moncrieff twins. He was a tall, broad-shouldered man in the

middle thirties, who looked as though he would do anything efficiently to

which he set his hand-a well-kept, muscular hand, browner even than his

face, and with the palms calloused by the swinging of golf clubs. He was

a "plus" man. For the rest, he was handsome, with regular features of a

rather wooden type, lit up now and then by a pleasant smile.

 

The artist was about his age, but belonged to another world. Nervous,

diffident, shy, the youngest R.A. was rarely to be met anywhere but at

his studio out here by Putney Bridge, where he lived as well as worked.

He had a scholarly face, with deep-set, brooding eyes, that looked as

though they would go through life seeking for something just beyond their

vision.

 

"Good sitters?" Goodenough asked, waving a hand at the two children just

now squirming a welcome to him.

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