Traditional Painting

Window on the Korean Mind

Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, Customs & Traditions
Cover of the book Traditional Painting by Rober Koehler et al., Seoul Selection
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Author: Rober Koehler et al. ISBN: 9781624120343
Publisher: Seoul Selection Publication: May 15, 2015
Imprint: Language: English
Author: Rober Koehler et al.
ISBN: 9781624120343
Publisher: Seoul Selection
Publication: May 15, 2015
Imprint:
Language: English

Korean painting reveals a connectivity with nature that parallels the Korean traditional world view. Living in a dramatic landscape of rugged peaks, deep valleys and broad rivers, Koreans have long held nature in deep reverence. This respect, this yearning for nature is immediately apparent in Korean paintings, whose aesthetic is likened to an "artless art" of gently lines, generous shapes and naturalistic colors. Beauty is found in the big picture rather than the details; paintings exhibit a naturalness that moves the viewer with its humility.

Many Korean paintings were painted not by artists, but by ordinary nobles and even commoners. For the people of old Korea, painting was often a part of life, a way to express their inner spirit. Perhaps it is this that makes Korean painting so approachable, so human.

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Korean painting reveals a connectivity with nature that parallels the Korean traditional world view. Living in a dramatic landscape of rugged peaks, deep valleys and broad rivers, Koreans have long held nature in deep reverence. This respect, this yearning for nature is immediately apparent in Korean paintings, whose aesthetic is likened to an "artless art" of gently lines, generous shapes and naturalistic colors. Beauty is found in the big picture rather than the details; paintings exhibit a naturalness that moves the viewer with its humility.

Many Korean paintings were painted not by artists, but by ordinary nobles and even commoners. For the people of old Korea, painting was often a part of life, a way to express their inner spirit. Perhaps it is this that makes Korean painting so approachable, so human.

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