Traces of the Past

Classics between History and Archaeology

Nonfiction, History, Ancient History, Greece
Cover of the book Traces of the Past by Karen Bassi, University of Michigan Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Karen Bassi ISBN: 9780472121960
Publisher: University of Michigan Press Publication: August 17, 2016
Imprint: University of Michigan Press Language: English
Author: Karen Bassi
ISBN: 9780472121960
Publisher: University of Michigan Press
Publication: August 17, 2016
Imprint: University of Michigan Press
Language: English

What are we doing when we walk into an archaeological museum or onto an archaeological site? What do the objects and features we encounter in these unique places mean and, more specifically, how do they convey to us something about the beliefs and activities of formerly living humans? In short, how do visible remains and ruins in the present give meaning to the human past? Karen Bassi addresses these questions through detailed close readings of canonical works spanning the archaic to the classical periods of ancient Greek culture, showing how the past is constituted in descriptions of what narrators and characters see in their present context. She introduces the term protoarchaeological to refer to narratives that navigate the gap between linguistic representation and empirical observation—between words and things—in accessing and giving meaning to the past. Such narratives invite readers to view the past as a receding visual field and, in the process, to cross the disciplinary boundaries that divide literature, history, and archaeology.

Aimed at classicists, literary scholars, ancient historians, cultural historians, and archaeological theorists, the book combines three areas of research: time as a feature of narrative structure in literary theory; the concept of “the past itself” in the philosophy of history; and the ontological status of material objects in archaeological theory. Each of five central chapters explores how specific protoarchaeological narratives—from the fate of Zeus’ stone in Hesiod’s Theogony to the contest between words and objects in Aristophanes’ Frogs—both expose and attempt to bridge this gap. Throughout, the book serves as a response to Herodotus’ task in writing the Histories, namely, to ensure that “the past deeds of men do not fade with time.”

 

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

What are we doing when we walk into an archaeological museum or onto an archaeological site? What do the objects and features we encounter in these unique places mean and, more specifically, how do they convey to us something about the beliefs and activities of formerly living humans? In short, how do visible remains and ruins in the present give meaning to the human past? Karen Bassi addresses these questions through detailed close readings of canonical works spanning the archaic to the classical periods of ancient Greek culture, showing how the past is constituted in descriptions of what narrators and characters see in their present context. She introduces the term protoarchaeological to refer to narratives that navigate the gap between linguistic representation and empirical observation—between words and things—in accessing and giving meaning to the past. Such narratives invite readers to view the past as a receding visual field and, in the process, to cross the disciplinary boundaries that divide literature, history, and archaeology.

Aimed at classicists, literary scholars, ancient historians, cultural historians, and archaeological theorists, the book combines three areas of research: time as a feature of narrative structure in literary theory; the concept of “the past itself” in the philosophy of history; and the ontological status of material objects in archaeological theory. Each of five central chapters explores how specific protoarchaeological narratives—from the fate of Zeus’ stone in Hesiod’s Theogony to the contest between words and objects in Aristophanes’ Frogs—both expose and attempt to bridge this gap. Throughout, the book serves as a response to Herodotus’ task in writing the Histories, namely, to ensure that “the past deeds of men do not fade with time.”

 

More books from University of Michigan Press

Cover of the book Coalition Politics and Cabinet Decision Making by Karen Bassi
Cover of the book China and the West by Karen Bassi
Cover of the book Black Cultural Traffic by Karen Bassi
Cover of the book Getting to War by Karen Bassi
Cover of the book Trust by Karen Bassi
Cover of the book The British Blues Network by Karen Bassi
Cover of the book Someone Shot My Book by Karen Bassi
Cover of the book Nothing Happened by Karen Bassi
Cover of the book State Trading in the Twenty-First Century by Karen Bassi
Cover of the book Paralyzing Summer by Karen Bassi
Cover of the book Litigating in the Shadow of Death by Karen Bassi
Cover of the book As If by Karen Bassi
Cover of the book Yiddish Empire by Karen Bassi
Cover of the book Coming After by Karen Bassi
Cover of the book The "Vanity of the Philosopher" by Karen Bassi
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy