Three Masquerades

Novellas by Rachel Ingalls

Fiction & Literature, Psychological, Contemporary Women, Literary
Cover of the book Three Masquerades by Rachel Ingalls, Daniel Handler, Counterpoint
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Author: Rachel Ingalls, Daniel Handler ISBN: 9781619027794
Publisher: Counterpoint Publication: February 1, 2017
Imprint: Counterpoint Language: English
Author: Rachel Ingalls, Daniel Handler
ISBN: 9781619027794
Publisher: Counterpoint
Publication: February 1, 2017
Imprint: Counterpoint
Language: English

"

The fiction of Rachel Ingalls has haunted me for years. The plots are dramatic, even exaggerated, but the books are quiet and short. The language is plain but curious. I’ve gathered here three works of hers. Two of these are frightening and one less so, although I sometimes change my mind about which one that is. —from the Introduction by Daniel Handler

Daniel Handler assembled this collection from Rachel Ingalls’ wide selection of novellas as a perfect introduction to her beguiling talent. I See a Long Journey and On Ice, novellas Mr. Handler considers basically perfect, originally appeared with a third, Blessed Art Thou, a story he considers to be in an entirely different tone. He felt that Friends in the Country from Ms. Ingalls’ later collection, The End of Tragedy, was a more natural companion to the two earlier works. The author happily agreed.

"

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"

The fiction of Rachel Ingalls has haunted me for years. The plots are dramatic, even exaggerated, but the books are quiet and short. The language is plain but curious. I’ve gathered here three works of hers. Two of these are frightening and one less so, although I sometimes change my mind about which one that is. —from the Introduction by Daniel Handler

Daniel Handler assembled this collection from Rachel Ingalls’ wide selection of novellas as a perfect introduction to her beguiling talent. I See a Long Journey and On Ice, novellas Mr. Handler considers basically perfect, originally appeared with a third, Blessed Art Thou, a story he considers to be in an entirely different tone. He felt that Friends in the Country from Ms. Ingalls’ later collection, The End of Tragedy, was a more natural companion to the two earlier works. The author happily agreed.

"

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