Theatre, Social Media, and Meaning Making

Nonfiction, Entertainment, Performing Arts, Theatre, History & Criticism
Cover of the book Theatre, Social Media, and Meaning Making by Bree Hadley, Springer International Publishing
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Author: Bree Hadley ISBN: 9783319548821
Publisher: Springer International Publishing Publication: September 30, 2017
Imprint: Palgrave Macmillan Language: English
Author: Bree Hadley
ISBN: 9783319548821
Publisher: Springer International Publishing
Publication: September 30, 2017
Imprint: Palgrave Macmillan
Language: English

This book offers the first broad-based survey of the way artists, audiences and society at large are making use of social media, and how the emergence of social media platforms that allow two-way interaction between these groups has been held up as a ‘game changer’ by many in the theatre industry. The first book to analyse aesthetic, critical, audience development, marketing and assessment uptake of social media in the theatre industry in an integrated fashion, Theatre, Social Media and Meaning Making examines examples from the USA, UK, Europe and Australasia to provide a snapshot of this emerging niche within networked, telematic, immersive and participatory theatre production and reception practices. A vital new resource for the field, this book will appeal to scholars, students, and industry practitioners alike.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book offers the first broad-based survey of the way artists, audiences and society at large are making use of social media, and how the emergence of social media platforms that allow two-way interaction between these groups has been held up as a ‘game changer’ by many in the theatre industry. The first book to analyse aesthetic, critical, audience development, marketing and assessment uptake of social media in the theatre industry in an integrated fashion, Theatre, Social Media and Meaning Making examines examples from the USA, UK, Europe and Australasia to provide a snapshot of this emerging niche within networked, telematic, immersive and participatory theatre production and reception practices. A vital new resource for the field, this book will appeal to scholars, students, and industry practitioners alike.

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