Theatre, Magic and Philosophy

William Shakespeare, John Dee and the Italian Legacy

Fiction & Literature, Literary Theory & Criticism
Cover of the book Theatre, Magic and Philosophy by Gabriela Dragnea Horvath, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Gabriela Dragnea Horvath ISBN: 9781134767786
Publisher: Taylor and Francis Publication: July 6, 2017
Imprint: Routledge Language: English
Author: Gabriela Dragnea Horvath
ISBN: 9781134767786
Publisher: Taylor and Francis
Publication: July 6, 2017
Imprint: Routledge
Language: English

Analyzing Shakespeare's views on theatre and magic and John Dee's concerns with philosophy and magic in the light of the Italian version of philosophia perennis (mainly Marsilio Ficino, Pico della Mirandola and Giordano Bruno), this book offers a new perspective on the Italian-English cultural dialogue at the Renaissance and its contribution to intellectual history. In an interdisciplinary and intercultural approach, it investigates the structural commonalities of theatre and magic as contiguous to the foundational concepts of perennial philosophy, and explores the idea that the Italian thinkers informed not only natural philosophy and experimentation in England, but also Shakespeare's theatre. The first full length project to consider Shakespeare and John Dee in juxtaposition, this study brings textual and contextual evidence that Gonzalo, an honest old Counsellor in The Tempest, is a plausible theatrical representation of John Dee. At the same time, it places John Dee in the tradition of the philosophia perennis-accounting for what appears to the modern scholar the conflicting nature of his faith and his scientific mind, his powerful fantasy and his need for order and rigor-and clarifies Edward Kelly's role and creative participation in the scrying sessions, regarding him as co-author of the dramatic episodes reported in Dee's spiritual diaries. Finally, it connects the Enochian/Angelic language to the myth of the Adamic language at the core of Italian philosophy and brings evidence that the Enochian is an artificial language originated by applying creatively the analytical instruments of text hermeneutics used in the Cabala.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Analyzing Shakespeare's views on theatre and magic and John Dee's concerns with philosophy and magic in the light of the Italian version of philosophia perennis (mainly Marsilio Ficino, Pico della Mirandola and Giordano Bruno), this book offers a new perspective on the Italian-English cultural dialogue at the Renaissance and its contribution to intellectual history. In an interdisciplinary and intercultural approach, it investigates the structural commonalities of theatre and magic as contiguous to the foundational concepts of perennial philosophy, and explores the idea that the Italian thinkers informed not only natural philosophy and experimentation in England, but also Shakespeare's theatre. The first full length project to consider Shakespeare and John Dee in juxtaposition, this study brings textual and contextual evidence that Gonzalo, an honest old Counsellor in The Tempest, is a plausible theatrical representation of John Dee. At the same time, it places John Dee in the tradition of the philosophia perennis-accounting for what appears to the modern scholar the conflicting nature of his faith and his scientific mind, his powerful fantasy and his need for order and rigor-and clarifies Edward Kelly's role and creative participation in the scrying sessions, regarding him as co-author of the dramatic episodes reported in Dee's spiritual diaries. Finally, it connects the Enochian/Angelic language to the myth of the Adamic language at the core of Italian philosophy and brings evidence that the Enochian is an artificial language originated by applying creatively the analytical instruments of text hermeneutics used in the Cabala.

More books from Taylor and Francis

Cover of the book Essentials of Business Research Methods by Gabriela Dragnea Horvath
Cover of the book How Consumers Pick a Hotel by Gabriela Dragnea Horvath
Cover of the book OCR Psychology: AS Revision Guide by Gabriela Dragnea Horvath
Cover of the book Ethical Leadership for a Better Education System by Gabriela Dragnea Horvath
Cover of the book Nietzsche: The Key Concepts by Gabriela Dragnea Horvath
Cover of the book Teaching as a Professional Discipline by Gabriela Dragnea Horvath
Cover of the book Different Wavelengths by Gabriela Dragnea Horvath
Cover of the book The Cultural and Political Economy of Recovery by Gabriela Dragnea Horvath
Cover of the book Love in a Time of Loneliness by Gabriela Dragnea Horvath
Cover of the book The Inner World of Doctor Who by Gabriela Dragnea Horvath
Cover of the book Grainger the Modernist by Gabriela Dragnea Horvath
Cover of the book The Instructional Design Knowledge Base by Gabriela Dragnea Horvath
Cover of the book Eli Ginzberg by Gabriela Dragnea Horvath
Cover of the book Regaining Paradise Lost by Gabriela Dragnea Horvath
Cover of the book Psychoanalysis, Trauma, and Community by Gabriela Dragnea Horvath
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy