The Universal Machine

Nonfiction, Religion & Spirituality, Philosophy, Social & Cultural Studies, Social Science
Cover of the book The Universal Machine by Fred Moten, Duke University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Fred Moten ISBN: 9780822371977
Publisher: Duke University Press Publication: July 26, 2018
Imprint: Duke University Press Books Language: English
Author: Fred Moten
ISBN: 9780822371977
Publisher: Duke University Press
Publication: July 26, 2018
Imprint: Duke University Press Books
Language: English

"Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."—Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary Imagination

In The Universal Machine—the concluding volume to his landmark trilogy consent not to be a single being—Fred Moten presents a suite of three essays on Emmanuel Levinas, Hannah Arendt, and Frantz Fanon, in which he explores questions of freedom, capture, and selfhood. In trademark style, Moten considers these thinkers alongside artists and musicians such as William Kentridge and Curtis Mayfield while interrogating the relation between blackness and phenomenology. Whether using Levinas's idea of escape in unintended ways, examining Arendt's antiblackness through Mayfield's virtuosic falsetto and Anthony Braxton's musical language, or showing how Fanon's form of phenomenology enables black social life, Moten formulates blackness as a way of being in the world that evades regulation. Throughout The Universal Machine—and the trilogy as a whole—Moten's theorizations of blackness will have a lasting and profound impact.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

"Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."—Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary Imagination

In The Universal Machine—the concluding volume to his landmark trilogy consent not to be a single being—Fred Moten presents a suite of three essays on Emmanuel Levinas, Hannah Arendt, and Frantz Fanon, in which he explores questions of freedom, capture, and selfhood. In trademark style, Moten considers these thinkers alongside artists and musicians such as William Kentridge and Curtis Mayfield while interrogating the relation between blackness and phenomenology. Whether using Levinas's idea of escape in unintended ways, examining Arendt's antiblackness through Mayfield's virtuosic falsetto and Anthony Braxton's musical language, or showing how Fanon's form of phenomenology enables black social life, Moten formulates blackness as a way of being in the world that evades regulation. Throughout The Universal Machine—and the trilogy as a whole—Moten's theorizations of blackness will have a lasting and profound impact.

More books from Duke University Press

Cover of the book Gut Feminism by Fred Moten
Cover of the book D-Passage by Fred Moten
Cover of the book Bodies in Dissent by Fred Moten
Cover of the book On Humor by Fred Moten
Cover of the book In Defense of Honor by Fred Moten
Cover of the book The Enemy by Fred Moten
Cover of the book Revolutionary Nativism by Fred Moten
Cover of the book Painting Culture by Fred Moten
Cover of the book Depression by Fred Moten
Cover of the book Challenging Social Inequality by Fred Moten
Cover of the book On Melville by Fred Moten
Cover of the book The Afterlife of Reproductive Slavery by Fred Moten
Cover of the book Impossible Citizens by Fred Moten
Cover of the book Panic Diaries by Fred Moten
Cover of the book The Apartment Complex by Fred Moten
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy