The Tide Was Always High

The Music of Latin America in Los Angeles

Nonfiction, Entertainment, Music, Music Styles, Latin, History, Americas, United States
Cover of the book The Tide Was Always High by , University of California Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9780520967533
Publisher: University of California Press Publication: September 26, 2017
Imprint: University of California Press Language: English
Author:
ISBN: 9780520967533
Publisher: University of California Press
Publication: September 26, 2017
Imprint: University of California Press
Language: English

In 1980, the celebrated new wave band Blondie headed to Los Angeles to record a new album and along with it, the cover song “The Tide Is High,” originally written by Jamaican legend John Holt. Featuring percussion by Peruvian drummer and veteran LA session musician “Alex” Acuña, and with horns and violins that were pure LA mariachi by way of Mexico, “The Tide Is High” demonstrates just one of the ways in which Los Angeles and the music of Latin America have been intertwined since the birth of the city in the eighteenth century.

The Tide Was Always High gathers together essays, interviews, and analysis from leading academics, artists, journalists, and iconic Latin American musicians to explore the vibrant connections between Los Angeles and Latin America. Published in conjunction with the Getty's Pacific Standard Time: LA/LA, the book shows how Latin American musicians and music have helped shape the city’s culture—from Hollywood film sets to recording studios, from vaudeville theaters to Sunset Strip nightclubs, and from Carmen Miranda to Pérez Prado and Juan García Esquivel.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In 1980, the celebrated new wave band Blondie headed to Los Angeles to record a new album and along with it, the cover song “The Tide Is High,” originally written by Jamaican legend John Holt. Featuring percussion by Peruvian drummer and veteran LA session musician “Alex” Acuña, and with horns and violins that were pure LA mariachi by way of Mexico, “The Tide Is High” demonstrates just one of the ways in which Los Angeles and the music of Latin America have been intertwined since the birth of the city in the eighteenth century.

The Tide Was Always High gathers together essays, interviews, and analysis from leading academics, artists, journalists, and iconic Latin American musicians to explore the vibrant connections between Los Angeles and Latin America. Published in conjunction with the Getty's Pacific Standard Time: LA/LA, the book shows how Latin American musicians and music have helped shape the city’s culture—from Hollywood film sets to recording studios, from vaudeville theaters to Sunset Strip nightclubs, and from Carmen Miranda to Pérez Prado and Juan García Esquivel.

More books from University of California Press

Cover of the book The Final Pagan Generation by
Cover of the book Mining Capitalism by
Cover of the book The Decline of Sentiment by
Cover of the book Gray Divorce by
Cover of the book Sewing Hope by
Cover of the book The Filth of Progress by
Cover of the book Treatise on Musical Objects by
Cover of the book Caravan of Martyrs by
Cover of the book Emergence and Collapse of Early Villages by
Cover of the book 1995 by
Cover of the book Lorine Niedecker by
Cover of the book I Did It to Save My Life by
Cover of the book David Brower by
Cover of the book Confessions of a Radical Chicano Doo-Wop Singer by
Cover of the book The Last Great Strike by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy