The Symbolism of The Tarot

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book The Symbolism of The Tarot by P. D. Ouspensky, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: P. D. Ouspensky ISBN: 9781465505880
Publisher: Library of Alexandria Publication: July 29, 2009
Imprint: Library of Alexandria Language: English
Author: P. D. Ouspensky
ISBN: 9781465505880
Publisher: Library of Alexandria
Publication: July 29, 2009
Imprint: Library of Alexandria
Language: English
No study of occult philosophy is possible without an acquaintance with symbolism, for if the words occultism and symbolism are correctly used, they mean almost one and the same thing. Symbolism cannot be learned as one learns to build bridges or speak a foreign language, and for the interpretation of symbols a special cast of mind is necessary; in addition to knowledge, special faculties, the power of creative thought and a developed imagination are required. One who understands the use of symbolism in the arts, knows, in a general way, what is meant by occult symbolism. But even then a special training of the mind is necessary, in order to comprehend the language of the Initiates, and to express in this language the intuitions as they arise. There are many methods for developing the sense of symbols in those who are striving to understand the hidden forces of Nature and Man, and for teaching the fundamental principles as well as the elements of the esoteric language. The most synthetic, and one of the most interesting of these methods, is the Tarot In its exterior form the Tarot is a pack of cards used in the south of Europe for games and fortune-telling. These cards were first known in Europe at the end of the fourteenth century, when they were in use among the Spanish gypsies. A pack of Tarot contains the fifty-two ordinary playing cards with the addition of one picture card to every suit, namely, the Knight, placed between the Queen and the Knave. These fifty-six cards are divided into four suits, two black and two red and have the following designation: sceptres (clubs), cups (hearts), swords (spades), and pentacles or disks (diamonds).
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
No study of occult philosophy is possible without an acquaintance with symbolism, for if the words occultism and symbolism are correctly used, they mean almost one and the same thing. Symbolism cannot be learned as one learns to build bridges or speak a foreign language, and for the interpretation of symbols a special cast of mind is necessary; in addition to knowledge, special faculties, the power of creative thought and a developed imagination are required. One who understands the use of symbolism in the arts, knows, in a general way, what is meant by occult symbolism. But even then a special training of the mind is necessary, in order to comprehend the language of the Initiates, and to express in this language the intuitions as they arise. There are many methods for developing the sense of symbols in those who are striving to understand the hidden forces of Nature and Man, and for teaching the fundamental principles as well as the elements of the esoteric language. The most synthetic, and one of the most interesting of these methods, is the Tarot In its exterior form the Tarot is a pack of cards used in the south of Europe for games and fortune-telling. These cards were first known in Europe at the end of the fourteenth century, when they were in use among the Spanish gypsies. A pack of Tarot contains the fifty-two ordinary playing cards with the addition of one picture card to every suit, namely, the Knight, placed between the Queen and the Knave. These fifty-six cards are divided into four suits, two black and two red and have the following designation: sceptres (clubs), cups (hearts), swords (spades), and pentacles or disks (diamonds).

More books from Library of Alexandria

Cover of the book A Beleaguered City: Being a Narrative of Certain Recent Events in the City of Semur, in the Department of the Haute Bourgogne: A Story of the Seen and the Unseen by P. D. Ouspensky
Cover of the book Mind and Body, or, Mental States and Physical Conditions by P. D. Ouspensky
Cover of the book A Damaged Reputation by P. D. Ouspensky
Cover of the book History of 'Billy the Kid' by P. D. Ouspensky
Cover of the book At The Sign of The Cat and Racket by P. D. Ouspensky
Cover of the book Vasco da Gama: Livro de Leitura para familias e escolas by P. D. Ouspensky
Cover of the book A Dangerous Flirtation: Did Ida May Sin? by P. D. Ouspensky
Cover of the book After Icebergs with a Painter: A Summer Voyage to Labrador and Around Newfoundland by P. D. Ouspensky
Cover of the book The Female Quixote, Or, The Adventures of Arabella by P. D. Ouspensky
Cover of the book Red Eagle and the Wars With the Creek Indians of Alabama by P. D. Ouspensky
Cover of the book George Alfred Henty: The Story of an Active Life by P. D. Ouspensky
Cover of the book The History and Romance of Crime: German and Austrian Prisons, Prisons of Prussia, Bavaria, Saxony and Austria-Hungary; the Fortresses of Magdeburg and Spielberg by P. D. Ouspensky
Cover of the book History of the War Between Mexico and the United States With a Preliminary View of Its Origin, Volume 1 by P. D. Ouspensky
Cover of the book Selected Works of Sui Sin Far by P. D. Ouspensky
Cover of the book Men of the Old Stone Age: Their Environment, Life and Art by P. D. Ouspensky
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy