The Surrealist Cosmovision of Bridget Tichenor, Femspec Issue 1.1

Nonfiction, Social & Cultural Studies, Social Science, Gender Studies, Feminism & Feminist Theory, Art & Architecture, Art History
Cover of the book The Surrealist Cosmovision of Bridget Tichenor, Femspec Issue 1.1 by Gloria Orenstein, Femspec Journal
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Author: Gloria Orenstein ISBN: 9781311132437
Publisher: Femspec Journal Publication: April 17, 2015
Imprint: Smashwords Edition Language: English
Author: Gloria Orenstein
ISBN: 9781311132437
Publisher: Femspec Journal
Publication: April 17, 2015
Imprint: Smashwords Edition
Language: English

Mexico provides a surreal surrounding for painters to experience new visions. Tichenor's artistic conceptions are not European. The artist makes an analogy about past practices of shamans and unexplainable phenomena in her art work. Her artwork glows in a radiating way that is un-natural. Tichenor's revealing artwork lets us see ordinary human beings unmasked. The artist also incorporates many figures from Mesoamerican myth and folklore. Orenstein describes the art as surrealistic. The dimensions of Tichenor's artwork are made up of the evolution of human beings toward clear vision for a harmonious world. The artwork transmits to the viewer an ability to interpret fate and the cosmos. The author connects this vision to later developments in ecofeminism.

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Mexico provides a surreal surrounding for painters to experience new visions. Tichenor's artistic conceptions are not European. The artist makes an analogy about past practices of shamans and unexplainable phenomena in her art work. Her artwork glows in a radiating way that is un-natural. Tichenor's revealing artwork lets us see ordinary human beings unmasked. The artist also incorporates many figures from Mesoamerican myth and folklore. Orenstein describes the art as surrealistic. The dimensions of Tichenor's artwork are made up of the evolution of human beings toward clear vision for a harmonious world. The artwork transmits to the viewer an ability to interpret fate and the cosmos. The author connects this vision to later developments in ecofeminism.

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