Author: | Corey Mesler | ISBN: | 9781937794422 |
Publisher: | Upper Rubber Boot Books | Publication: | July 23, 2014 |
Imprint: | Language: | English |
Author: | Corey Mesler |
ISBN: | 9781937794422 |
Publisher: | Upper Rubber Boot Books |
Publication: | July 23, 2014 |
Imprint: | |
Language: | English |
With poems like “Strictly Blowjob” and “The Cancer of Believing You’re in Control,” acclaimed writer Corey Mesler has made a book that adjoins sex, love and social connection in their many manifestations, from meditations on The Beatles, death, pharmacology, and infidelity, to “the holycow feeling/of just being human and/satisfied like a goddamn poem.”
…the subject matter is dripping with delicious verbal concoctions… This book is not to be missed. —Susan Cushman, Pen & Palette
Mesler’s is again a poetry manifesting, indeed, sustaining—the Memphis school. Wm. Carlos Williams and numerous others would find it substantial and elucidating of the all the contraries to the idealized lumpen life. The bottom falls away from it, the foundations, the bases, and one is put on notices to be aware of what lives live within the one we live. Merely by seeing in language. A poetry that does not need explaining, abjures it explicitly. —Gordon Osing, author of Theaters of Skin, and La Belle Dame
With poems like “Strictly Blowjob” and “The Cancer of Believing You’re in Control,” acclaimed writer Corey Mesler has made a book that adjoins sex, love and social connection in their many manifestations, from meditations on The Beatles, death, pharmacology, and infidelity, to “the holycow feeling/of just being human and/satisfied like a goddamn poem.”
…the subject matter is dripping with delicious verbal concoctions… This book is not to be missed. —Susan Cushman, Pen & Palette
Mesler’s is again a poetry manifesting, indeed, sustaining—the Memphis school. Wm. Carlos Williams and numerous others would find it substantial and elucidating of the all the contraries to the idealized lumpen life. The bottom falls away from it, the foundations, the bases, and one is put on notices to be aware of what lives live within the one we live. Merely by seeing in language. A poetry that does not need explaining, abjures it explicitly. —Gordon Osing, author of Theaters of Skin, and La Belle Dame