The Semiotics of Theatre and Drama

Fiction & Literature, Literary Theory & Criticism, Drama History & Criticism, Theory
Cover of the book The Semiotics of Theatre and Drama by Keir Elam, Taylor and Francis
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Author: Keir Elam ISBN: 9781134465118
Publisher: Taylor and Francis Publication: December 16, 2003
Imprint: Routledge Language: English
Author: Keir Elam
ISBN: 9781134465118
Publisher: Taylor and Francis
Publication: December 16, 2003
Imprint: Routledge
Language: English

The late twentieth century saw an explosion of interest in semiotics, the science of the signs and processes by which we communicate. In this study, the first of its kind in English, Keir Elam shows how this new 'science' can provide a radical shift in our understanding of theatrical performance, one of our richest and most complex forms of communication.
Elam traces the history of semiotic approaches to performance, from 1930s Prague onwards, and presents a model of theatrical communication. In the course of his study, he touches upon the 'logic' of the drama and the analysis of dramatic discourse. This edition also includes a new post-script by the author, looking at the fate of theatre semiotics since the publication of this book, and a fully updated bibliography. Much praised for its accessibility, The Semiotics of Theatre and Drama remains a 'must-read' text for all those interested in the analysis of theatrical performance.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The late twentieth century saw an explosion of interest in semiotics, the science of the signs and processes by which we communicate. In this study, the first of its kind in English, Keir Elam shows how this new 'science' can provide a radical shift in our understanding of theatrical performance, one of our richest and most complex forms of communication.
Elam traces the history of semiotic approaches to performance, from 1930s Prague onwards, and presents a model of theatrical communication. In the course of his study, he touches upon the 'logic' of the drama and the analysis of dramatic discourse. This edition also includes a new post-script by the author, looking at the fate of theatre semiotics since the publication of this book, and a fully updated bibliography. Much praised for its accessibility, The Semiotics of Theatre and Drama remains a 'must-read' text for all those interested in the analysis of theatrical performance.

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