The Rite of Spring at 100

Nonfiction, Entertainment, Dance, Classical, Performing Arts, Music
Cover of the book The Rite of Spring at 100 by , Indiana University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9780253027351
Publisher: Indiana University Press Publication: May 15, 2017
Imprint: Indiana University Press Language: English
Author:
ISBN: 9780253027351
Publisher: Indiana University Press
Publication: May 15, 2017
Imprint: Indiana University Press
Language: English

When Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography scandalized audiences. Today it is considered one of the most influential musical works of the twentieth century. In this volume, the ballet finally receives the full critical attention it deserves, as distinguished music and dance scholars discuss the meaning of the work and its far-reaching influence on world music, performance, and culture. Essays explore four key facets of the ballet: its choreography and movement; the cultural and historical contexts of its performance and reception in France; its structure and use of innovative rhythmic and tonal features; and the reception of the work in Russian music history and theory.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

When Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography scandalized audiences. Today it is considered one of the most influential musical works of the twentieth century. In this volume, the ballet finally receives the full critical attention it deserves, as distinguished music and dance scholars discuss the meaning of the work and its far-reaching influence on world music, performance, and culture. Essays explore four key facets of the ballet: its choreography and movement; the cultural and historical contexts of its performance and reception in France; its structure and use of innovative rhythmic and tonal features; and the reception of the work in Russian music history and theory.

More books from Indiana University Press

Cover of the book Ayya's Accounts by
Cover of the book Fighting for America by
Cover of the book Congress, Presidents, and American Politics by
Cover of the book The Figure of Nature by
Cover of the book Well-Tempered Woodwinds by
Cover of the book Seasoned Socialism by
Cover of the book The Basic Problems of Phenomenology, Revised Edition by
Cover of the book The Flaherty by
Cover of the book Performing Trauma in Central Africa by
Cover of the book Minerals, Collecting, and Value across the US-Mexico Border by
Cover of the book Between Slavery and Freedom by
Cover of the book 9/11 and the Visual Culture of Disaster by
Cover of the book Racial Imperatives by
Cover of the book The Cinema of the Soviet Thaw by
Cover of the book Women and Genocide by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy