The Reflections of Ambrosine: A Novel

Fiction & Literature, Classics, Romance, Erotica
Cover of the book The Reflections of Ambrosine: A Novel by Elinor Glyn, Dead Dodo Elinor Glyn Collection
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Author: Elinor Glyn ISBN: 9781508020875
Publisher: Dead Dodo Elinor Glyn Collection Publication: August 14, 2015
Imprint: Dead Dodo Elinor Glyn Collection Language: English
Author: Elinor Glyn
ISBN: 9781508020875
Publisher: Dead Dodo Elinor Glyn Collection
Publication: August 14, 2015
Imprint: Dead Dodo Elinor Glyn Collection
Language: English

Dodo Collections brings you another classic from Elinor Glyn, ‘The Reflections of Ambrosine: A Novel.’

 

"Everything!" he said, in a fury, thumping the table so hard that a little Dresden-china figure fell down and broke into pieces on the parquet floor. "Everything! Your great eyes are always sad. You never take the least interest in anything about any of us. You are docile--yes; and obedient--yes; and when I hold you in my arms I might be holding a stuffed doll for all the response you make. And when I kiss you, you shudder!

 

Elinor Glyn began her writing in 1900, starting with a book based on letters to her mother, 'The Visits of Elizabeth'. And thereafter she more or less wrote one book each year to keep the wolf from the door, as her husband was debt-ridden from 1908, and also to keep up her standard of living. After several years of illness her husband died in 1915.

 

Early in her writing career she was recognised as one of the pioneers of what could be called erotic fiction, although not by modern-day standards, and she coined the use of the world 'It' to mean at the time sex-appeal and she helped to make Clara Bow a star by the use of the sobriquet for her of 'The It Girl'.

 

On the strength of her reputation and success she moved to Hollywood in 1920 and in 1921 was featured as one of the famous personalities in a Ralph Barton cartoon drawn especially for 'Vanity Fair' magazine.

 

A number of her books were made into films, most notably 'Beyond the Rocks' (1906), which starred Rudolph Valentino and Gloria Swanson, and she was a scriptwriter for the silent movie industry, working for both MGM and Paramount Pictures in the mid-1920s. In addition she also had a brief career as one of the earliest female directors.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Dodo Collections brings you another classic from Elinor Glyn, ‘The Reflections of Ambrosine: A Novel.’

 

"Everything!" he said, in a fury, thumping the table so hard that a little Dresden-china figure fell down and broke into pieces on the parquet floor. "Everything! Your great eyes are always sad. You never take the least interest in anything about any of us. You are docile--yes; and obedient--yes; and when I hold you in my arms I might be holding a stuffed doll for all the response you make. And when I kiss you, you shudder!

 

Elinor Glyn began her writing in 1900, starting with a book based on letters to her mother, 'The Visits of Elizabeth'. And thereafter she more or less wrote one book each year to keep the wolf from the door, as her husband was debt-ridden from 1908, and also to keep up her standard of living. After several years of illness her husband died in 1915.

 

Early in her writing career she was recognised as one of the pioneers of what could be called erotic fiction, although not by modern-day standards, and she coined the use of the world 'It' to mean at the time sex-appeal and she helped to make Clara Bow a star by the use of the sobriquet for her of 'The It Girl'.

 

On the strength of her reputation and success she moved to Hollywood in 1920 and in 1921 was featured as one of the famous personalities in a Ralph Barton cartoon drawn especially for 'Vanity Fair' magazine.

 

A number of her books were made into films, most notably 'Beyond the Rocks' (1906), which starred Rudolph Valentino and Gloria Swanson, and she was a scriptwriter for the silent movie industry, working for both MGM and Paramount Pictures in the mid-1920s. In addition she also had a brief career as one of the earliest female directors.

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