The Prose Writings of Heinrich Heine

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book The Prose Writings of Heinrich Heine by Heinrich Heine, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Heinrich Heine ISBN: 9781465562524
Publisher: Library of Alexandria Publication: July 29, 2009
Imprint: Library of Alexandria Language: English
Author: Heinrich Heine
ISBN: 9781465562524
Publisher: Library of Alexandria
Publication: July 29, 2009
Imprint: Library of Alexandria
Language: English
HEINE gathers up and focuses for us in one vivid point all those influences of his own time which are the forces of to-day. He appears before us, to put it in his own way, as a youthful and militant Knight of the Holy Ghost, tilting against the spectres of the past and liberating the imprisoned energies of the human spirit. His interest from this point of view lies, largely, apart from his interest as a supreme lyric poet, the brother of Catullus and Villon and Burns; we here approach him on his prosaic—his relatively prosaic—side. One hemisphere of Heine's brain was Greek, the other Hebrew. He was born when the genius of Goethe was at its height; his mother had absorbed the frank earthliness, the sane and massive Paganism, of the Roman elegies, and Heine's ideals in all things, whether he would or not, were always Hellenic—using that word in the large sense in which Heine himself used it—even while he was the first in rank and the last in time of the Romantic poets of Germany. He sought, even consciously, to mould the modern emotional spirit into classic forms. He wrought his art simply and lucidly, the aspirations that pervade it are everywhere sensuous, and yet it recalls oftener the turbulent temper of Catullus than any serener ancient spirit. For Heine arose early in active rebellion against a merely passive classicism; just as fiercer and more ardent cries, as from the Orient, pierce through the songs of Catullus. The mischievous Hermes was irritated by the calm and quiet activities of the aged Zeus of Weimar. And then the earnest Hebrew nature within him, liberated by Hegel's favourite thought of the divinity of man, came into play with its large revolutionary thirsts. Thus it was that he appeared before the world as the most brilliant leader of a movement of national or even world-wide emancipation. The greater part of his prose works, from the youthful Reisebilder onwards, and a considerable portion of his poetic work, record the energy with which he played this part
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
HEINE gathers up and focuses for us in one vivid point all those influences of his own time which are the forces of to-day. He appears before us, to put it in his own way, as a youthful and militant Knight of the Holy Ghost, tilting against the spectres of the past and liberating the imprisoned energies of the human spirit. His interest from this point of view lies, largely, apart from his interest as a supreme lyric poet, the brother of Catullus and Villon and Burns; we here approach him on his prosaic—his relatively prosaic—side. One hemisphere of Heine's brain was Greek, the other Hebrew. He was born when the genius of Goethe was at its height; his mother had absorbed the frank earthliness, the sane and massive Paganism, of the Roman elegies, and Heine's ideals in all things, whether he would or not, were always Hellenic—using that word in the large sense in which Heine himself used it—even while he was the first in rank and the last in time of the Romantic poets of Germany. He sought, even consciously, to mould the modern emotional spirit into classic forms. He wrought his art simply and lucidly, the aspirations that pervade it are everywhere sensuous, and yet it recalls oftener the turbulent temper of Catullus than any serener ancient spirit. For Heine arose early in active rebellion against a merely passive classicism; just as fiercer and more ardent cries, as from the Orient, pierce through the songs of Catullus. The mischievous Hermes was irritated by the calm and quiet activities of the aged Zeus of Weimar. And then the earnest Hebrew nature within him, liberated by Hegel's favourite thought of the divinity of man, came into play with its large revolutionary thirsts. Thus it was that he appeared before the world as the most brilliant leader of a movement of national or even world-wide emancipation. The greater part of his prose works, from the youthful Reisebilder onwards, and a considerable portion of his poetic work, record the energy with which he played this part

More books from Library of Alexandria

Cover of the book Rivers of Ice by Heinrich Heine
Cover of the book Shakespeare: A Lecture by Heinrich Heine
Cover of the book The Photoplay: A Psychological Study by Heinrich Heine
Cover of the book How to Write a Blackwood Article by Heinrich Heine
Cover of the book The Ocean of Theosophy by Heinrich Heine
Cover of the book Greek Women by Heinrich Heine
Cover of the book Dot and Tot of Merryland by Heinrich Heine
Cover of the book Opúsculos por Alexandre Herculano (Complete) by Heinrich Heine
Cover of the book Musings of a Chinese Mystic by Heinrich Heine
Cover of the book Robert Orange: Being a Continuation of the History of Robert Orange by Heinrich Heine
Cover of the book Unterhaltungen deutscher Ausgewanderten by Heinrich Heine
Cover of the book Anti-Achitophel (1682) Three Verse Replies to Absalom and Achitophel by John Dryden by Heinrich Heine
Cover of the book The Fever of Life by Heinrich Heine
Cover of the book Katharine Frensham: A Novel by Heinrich Heine
Cover of the book An Explanatory Discourse by Tan Chet-Qua of Quang-Chew-Fu, Gent by Heinrich Heine
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy