The Pop Palimpsest

Intertextuality in Recorded Popular Music

Nonfiction, Entertainment, Music, Pop & Rock, Popular, Music Styles
Cover of the book The Pop Palimpsest by Lori Burns, Serge Lacasse, University of Michigan Press
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Author: Lori Burns, Serge Lacasse ISBN: 9780472123513
Publisher: University of Michigan Press Publication: January 29, 2018
Imprint: University of Michigan Press Language: English
Author: Lori Burns, Serge Lacasse
ISBN: 9780472123513
Publisher: University of Michigan Press
Publication: January 29, 2018
Imprint: University of Michigan Press
Language: English

Within popular music there are entire genres (jazz “standards”), styles (hip hop), techniques (sampling), and practices (covers) that rely heavily on references between music of different styles and genres. This interdisciplinary collection of essays covers a wide range of musical styles and artists to investigate intertextuality—the shaping of one text by another—in popular music. The Pop Palimpsest offers new methodologies and frameworks for the analysis of intertextuality in popular music, and provides new lenses for examining relationships between a variety of texts both musical and nonmusical. Enriched by perspectives from multiple subdisciplines, The Pop Palimpsest considers a broad range of intertextual relationships in popular music to explore creative practices and processes and the networks that intertextual practices create between artists and listeners.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Within popular music there are entire genres (jazz “standards”), styles (hip hop), techniques (sampling), and practices (covers) that rely heavily on references between music of different styles and genres. This interdisciplinary collection of essays covers a wide range of musical styles and artists to investigate intertextuality—the shaping of one text by another—in popular music. The Pop Palimpsest offers new methodologies and frameworks for the analysis of intertextuality in popular music, and provides new lenses for examining relationships between a variety of texts both musical and nonmusical. Enriched by perspectives from multiple subdisciplines, The Pop Palimpsest considers a broad range of intertextual relationships in popular music to explore creative practices and processes and the networks that intertextual practices create between artists and listeners.

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