The Pleasures of Structure

Learning Screenwriting Through Case Studies

Nonfiction, Entertainment, Film, Screenwriting, Performing Arts, Reference & Language, Language Arts, Writing & Publishing, Composition & Creative Writing
Cover of the book The Pleasures of Structure by Julian Hoxter, Bloomsbury Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Julian Hoxter ISBN: 9781441164261
Publisher: Bloomsbury Publishing Publication: February 26, 2015
Imprint: Bloomsbury Academic Language: English
Author: Julian Hoxter
ISBN: 9781441164261
Publisher: Bloomsbury Publishing
Publication: February 26, 2015
Imprint: Bloomsbury Academic
Language: English

The Pleasures of Structure starts from the premise that the ability to develop a well understood and articulated story structure is the most important skill a screenwriter can develop. For example, good structure requires a great premise and rigorous character development. Without clear character motivations and goals--which are themselves indicative of key structural beats--your story is going exactly nowhere. Using the simple and flexible 'W' model of screenplay structure developed in the prequel Write What You Don't Know, Hoxter sets this out as its starting point. This model is tested against a range of examples which are chosen to explore the flexibility not only of that model but of movie storytelling more generally. Writers and students often worry that they are asked to work 'to formula'. This book will test that formula to breaking point.

For example, the first case study will offer the example of a well written, professional, mainstream movie against which our later and more adventurous examples can be compared. So the lessons we learn examining the animated family adventure movie How To Train Your Dragon lead us directly to ask questions of our second case study, the acclaimed Swedish vampire movie Låt den Rätte Komma In (Let The Right One In). Both movies have protagonists with the same basic problem, the same goal, and they use the same basic structure to tell their stories. Of course they are very different films and they work on their audiences in very different ways. Our linked case studies will expose how simple choices, like reversing the order of elements of the protagonist's transformational arc and shifting ownership of key story beats, has an enormous impact on how we respond to a structural model that is otherwise functionally identical.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Pleasures of Structure starts from the premise that the ability to develop a well understood and articulated story structure is the most important skill a screenwriter can develop. For example, good structure requires a great premise and rigorous character development. Without clear character motivations and goals--which are themselves indicative of key structural beats--your story is going exactly nowhere. Using the simple and flexible 'W' model of screenplay structure developed in the prequel Write What You Don't Know, Hoxter sets this out as its starting point. This model is tested against a range of examples which are chosen to explore the flexibility not only of that model but of movie storytelling more generally. Writers and students often worry that they are asked to work 'to formula'. This book will test that formula to breaking point.

For example, the first case study will offer the example of a well written, professional, mainstream movie against which our later and more adventurous examples can be compared. So the lessons we learn examining the animated family adventure movie How To Train Your Dragon lead us directly to ask questions of our second case study, the acclaimed Swedish vampire movie Låt den Rätte Komma In (Let The Right One In). Both movies have protagonists with the same basic problem, the same goal, and they use the same basic structure to tell their stories. Of course they are very different films and they work on their audiences in very different ways. Our linked case studies will expose how simple choices, like reversing the order of elements of the protagonist's transformational arc and shifting ownership of key story beats, has an enormous impact on how we respond to a structural model that is otherwise functionally identical.

More books from Bloomsbury Publishing

Cover of the book German Modernities From Wilhelm to Weimar by Julian Hoxter
Cover of the book Iran in the Middle East by Julian Hoxter
Cover of the book The Politics of International Law by Julian Hoxter
Cover of the book Polish Aces of World War 2 by Julian Hoxter
Cover of the book Cultural Encounters in the Arab World by Julian Hoxter
Cover of the book 58 Degrees North by Julian Hoxter
Cover of the book Apuleius Metamorphoses V: A Selection by Julian Hoxter
Cover of the book The Peloponnesian War 431–404 BC by Julian Hoxter
Cover of the book Death and the Visiting Firemen by Julian Hoxter
Cover of the book Birds of Sri Lanka by Julian Hoxter
Cover of the book The Wrong Side of the Sky by Julian Hoxter
Cover of the book Borderline by Julian Hoxter
Cover of the book Anastasia's Secret by Julian Hoxter
Cover of the book Practicing Art and Anthropology by Julian Hoxter
Cover of the book The Dramatic Text Workbook and Video by Julian Hoxter
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy