The Past That Might Have Been, the Future That May Come

Women Writing Fantastic Fiction, 1960s to the Present

Fiction & Literature, Literary Theory & Criticism, Science Fiction, Nonfiction, Social & Cultural Studies, Social Science, Gender Studies, Women&
Cover of the book The Past That Might Have Been, the Future That May Come by Lauren J. Lacey, McFarland & Company, Inc., Publishers
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Lauren J. Lacey ISBN: 9781476614304
Publisher: McFarland & Company, Inc., Publishers Publication: December 7, 2013
Imprint: Language: English
Author: Lauren J. Lacey
ISBN: 9781476614304
Publisher: McFarland & Company, Inc., Publishers
Publication: December 7, 2013
Imprint:
Language: English

This book explores how contemporary fantastic fiction by women writers responds to the past and imagines the future. The first two chapters look at revisionist rewritings of fairy tales and historical texts; the third and fourth focus on future-oriented narratives including dystopias and space fiction. Writers considered include Margaret Atwood, Octavia E. Butler, Angela Carter, Ursula K. Le Guin, Doris Lessing, and Jeanette Winterson, among others. The author argues that an analysis of how past and future are understood in women’s fantastic fictions brings to light an “ethics of becoming” in the texts—a way of interrupting, revising and remaking problematic power structures that are tied to identity markers like class, gender and race. The book reveals how fantastic fiction can be read as narratives of disruption that enable the creation of an ethics of becoming.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book explores how contemporary fantastic fiction by women writers responds to the past and imagines the future. The first two chapters look at revisionist rewritings of fairy tales and historical texts; the third and fourth focus on future-oriented narratives including dystopias and space fiction. Writers considered include Margaret Atwood, Octavia E. Butler, Angela Carter, Ursula K. Le Guin, Doris Lessing, and Jeanette Winterson, among others. The author argues that an analysis of how past and future are understood in women’s fantastic fictions brings to light an “ethics of becoming” in the texts—a way of interrupting, revising and remaking problematic power structures that are tied to identity markers like class, gender and race. The book reveals how fantastic fiction can be read as narratives of disruption that enable the creation of an ethics of becoming.

More books from McFarland & Company, Inc., Publishers

Cover of the book "Football! Navy! War!" by Lauren J. Lacey
Cover of the book Becoming John Wayne by Lauren J. Lacey
Cover of the book Gothic in Comics and Graphic Novels by Lauren J. Lacey
Cover of the book The Story of a Forest by Lauren J. Lacey
Cover of the book Jewish Aviators in World War II by Lauren J. Lacey
Cover of the book Legal Executions in North Carolina and South Carolina by Lauren J. Lacey
Cover of the book The Occult Arts of Music by Lauren J. Lacey
Cover of the book Pardonable Matricide by Lauren J. Lacey
Cover of the book Camp Cooke and Vandenberg Air Force Base, 1941-1966 by Lauren J. Lacey
Cover of the book The Meaning and Culture of Grand Theft Auto by Lauren J. Lacey
Cover of the book Once Upon a Time in a Dark and Scary Book by Lauren J. Lacey
Cover of the book The Vermont Brigade in the Seven Days by Lauren J. Lacey
Cover of the book "Aid and Comfort" by Lauren J. Lacey
Cover of the book Psycho Thrillers by Lauren J. Lacey
Cover of the book Reappraising Jane Duncan by Lauren J. Lacey
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy