The Other American Moderns

Matsura, Ishigaki, Noda, Hayakawa

Nonfiction, Art & Architecture, Art History, Asian, General Art, American
Cover of the book The Other American Moderns by ShiPu Wang, Penn State University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ShiPu Wang ISBN: 9780271080703
Publisher: Penn State University Press Publication: July 14, 2017
Imprint: Penn State University Press Language: English
Author: ShiPu Wang
ISBN: 9780271080703
Publisher: Penn State University Press
Publication: July 14, 2017
Imprint: Penn State University Press
Language: English

In The Other American Moderns, ShiPu Wang analyzes the works of four early twentieth-century American artists who engaged with the concept of “Americanness”: Frank Matsura, Eitarō Ishigaki, Hideo Noda, and Miki Hayakawa. In so doing, he recasts notions of minority artists’ contributions to modernism and American culture.

Wang presents comparative studies of these four artists’ figurative works that feature Native Americans, African Americans, and other racial and ethnic minorities, including Matsura and Susan Timento Pose at Studio (ca. 1912), The Bonus March (1932), Scottsboro Boys (1933), and Portrait of a Negro (ca. 1926). Rather than creating art that reflected “Asian aesthetics,” Matsura, Ishigaki, Noda, and Hayakawa deployed “imagery of the Other by the Other” as their means of exploring, understanding, and contesting conditions of diaspora and contested notions of what it meant to be American in an age of anti-immigrant sentiment and legislation.

Based on a decade-long excavation of previously unexamined collections in the United States and Japan, The Other American Moderns is more than a rediscovery of “forgotten” minority artists: it reconceives American modernism by illuminating these artists’ active role in the shaping of a multicultural and cosmopolitan culture. This nuanced analysis of their deliberate engagement with the ideological complexities of American identity contributes a new vision to our understanding of non-European identity in modernism and American art.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In The Other American Moderns, ShiPu Wang analyzes the works of four early twentieth-century American artists who engaged with the concept of “Americanness”: Frank Matsura, Eitarō Ishigaki, Hideo Noda, and Miki Hayakawa. In so doing, he recasts notions of minority artists’ contributions to modernism and American culture.

Wang presents comparative studies of these four artists’ figurative works that feature Native Americans, African Americans, and other racial and ethnic minorities, including Matsura and Susan Timento Pose at Studio (ca. 1912), The Bonus March (1932), Scottsboro Boys (1933), and Portrait of a Negro (ca. 1926). Rather than creating art that reflected “Asian aesthetics,” Matsura, Ishigaki, Noda, and Hayakawa deployed “imagery of the Other by the Other” as their means of exploring, understanding, and contesting conditions of diaspora and contested notions of what it meant to be American in an age of anti-immigrant sentiment and legislation.

Based on a decade-long excavation of previously unexamined collections in the United States and Japan, The Other American Moderns is more than a rediscovery of “forgotten” minority artists: it reconceives American modernism by illuminating these artists’ active role in the shaping of a multicultural and cosmopolitan culture. This nuanced analysis of their deliberate engagement with the ideological complexities of American identity contributes a new vision to our understanding of non-European identity in modernism and American art.

More books from Penn State University Press

Cover of the book Sentenced to Science by ShiPu Wang
Cover of the book Raphael’s Ostrich by ShiPu Wang
Cover of the book Farewell to Visual Studies by ShiPu Wang
Cover of the book Total Freedom by ShiPu Wang
Cover of the book Reconstructing Woman by ShiPu Wang
Cover of the book The Australian Citizens’ Parliament and the Future of Deliberative Democracy by ShiPu Wang
Cover of the book Democracy at the Point of Bayonets by ShiPu Wang
Cover of the book Reading the Written Image by ShiPu Wang
Cover of the book David Hume by ShiPu Wang
Cover of the book Voting Deliberatively by ShiPu Wang
Cover of the book Vision, the Gaze, and the Function of the Senses in “Celestina” by ShiPu Wang
Cover of the book Ayn Rand by ShiPu Wang
Cover of the book Mysticism by ShiPu Wang
Cover of the book Democracy Within Reason by ShiPu Wang
Cover of the book An Entrenched Legacy by ShiPu Wang
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy